Most modern scholars consider Jesus' baptism to be a definite historical fact, along with his crucifixion. Theologian James D. G. Dunn states that they "command almost universal assent" and "rank so high on the 'almost impossible to doubt or deny' scale of historical facts" that they are often the starting points for the study of the historical Jesus. Scholars adduce the criterion of embarrassment, saying that early Christians would not have invented a baptism that might imply that Jesus committed sins and wanted to repent. According to Theissen and Merz, Jesus was inspired by John the Baptist and took over from him many elements of his teaching. Christian Gifts
Some Hindus consider Jesus to be an avatar or a sadhu. Paramahansa Yogananda, an Indian guru, taught that Jesus was the reincarnation of Elisha and a student of John the Baptist, the reincarnation of Elijah. Some Buddhists, including Tenzin Gyatso, the 14th Dalai Lama, regard Jesus as a bodhisattva who dedicated his life to the welfare of people. The New Age movement entertains a wide variety of views on Jesus. Theosophists, from whom many New Age teachings originated, refer to Jesus as the Master Jesus, a spiritual reformer, and they believe that Christ, after various incarnations, occupied the body of Jesus. Scientologists recognize Jesus (along with other religious figures such as Zoroaster, Muhammad, and Buddha) as part of their "religious heritage". Atheists reject Jesus' divinity, but have differing views on Jesus' moral teachings. For example, Richard Dawkins has called him "a great moral teacher". Scripture Art
According to E. P. Sanders, the birth narratives in Matthew and Luke are the clearest case of invention in the Gospel narratives of Jesus' life. Both accounts have Jesus born in Bethlehem, in accordance with Jewish salvation history, and both have him growing up in Nazareth. But Sanders points that the two Gospels report completely different and irreconcilable explanations for how that happened. Luke's account of a census in which everyone returned to their ancestral cities is not plausible. Matthew's account is more plausible, but the story reads as though it was invented to identify Jesus as like a new Moses, and the historian Josephus reports Herod the Great's brutality without ever mentioning that he massacred little boys.
Jesus, also called Jesus Christ, Jesus of Galilee, or Jesus of Nazareth, (born c. 6–4 bc, Bethlehem—died c. ad 30, Jerusalem), religious leader revered in Christianity, one of the world’s major religions. He is regarded by most Christians as the Incarnation of God. The history of Christian reflection on the teachings and nature of Jesus is examined in the article Christology. Christian Canvas Art
A Psalm for giving thanks. Make a joyful noise to the Lord, all the earth! Serve the Lord with gladness! Come into his presence with singing! Know that the Lord, he is God! It is he who made us, and we are his; we are his people, and the sheep of his pasture. Enter his gates with thanksgiving, and his courts with praise! Give thanks to him; bless his name! For the Lord is good; his steadfast love endures forever, and his faithfulness to all generations. ... Share Your Faith Products
Jesus next expels the money changers from the Second Temple, accusing them of turning it into a den of thieves through their commercial activities. Jesus then prophesies about the coming destruction, including false prophets, wars, earthquakes, celestial disorders, persecution of the faithful, the appearance of an "abomination of desolation," and unendurable tribulations (Mark 13:1–23). The mysterious "Son of Man," he says, will dispatch angels to gather the faithful from all parts of the earth (Mark 13:24–27). Jesus warns that these wonders will occur in the lifetimes of the hearers (Mark 13:28–32). In John, the Cleansing of the Temple occurs at the beginning of Jesus' ministry instead of at the end (John 2:13–16).
A major figure in Islam, Jesus (commonly transliterated as ʾĪsā) is considered to be a messenger of God (Allah) and the Messiah (al-Masih) who was sent to guide the Children of Israel (Bani Isra'il) with a new scripture, the Gospel (referred to in Islam as Injil). Muslims regard the gospels of the New Testament as inauthentic, and believe that Jesus' original message was lost or altered and that Muhammad came later to restore it. Belief in Jesus (and all other messengers of God) is a requirement for being a Muslim. The Quran mentions Jesus by name 25 times—more often than Muhammad—and emphasizes that Jesus was a mortal human who, like all other prophets, had been divinely chosen to spread God's message. While the Qur'an affirms the Virgin birth of Jesus, he is considered to be neither the incarnation nor the son of God. Islamic texts emphasize a strict notion of monotheism (tawhid) and forbid the association of partners with God, which would be idolatry. Like all prophets in Islam, Jesus is considered a Muslim.
^ James Dunn writes that the baptism and crucifixion of Jesus "command almost universal assent" and "rank so high on the 'almost impossible to doubt or deny' scale of historical facts" that they are often the starting points for the study of the historical Jesus. Bart Ehrman states that the crucifixion of Jesus on the orders of Pontius Pilate is the most certain element about him. John Dominic Crossan and Richard G. Watts state that the crucifixion of Jesus is as certain as any historical fact can be. Paul R. Eddy and Gregory A. Boyd say that non-Christian confirmation of the crucifixion of Jesus is now "firmly established".
Jacob lived in the land of his father's sojournings, in the land of Canaan. These are the generations of Jacob. Joseph, being seventeen years old, was pasturing the flock with his brothers. He was a boy with the sons of Bilhah and Zilpah, his father's wives. And Joseph brought a bad report of them to their father. Now Israel loved Joseph more than any other of his sons, because he was the son of his old age. And he made him a robe of many colors. But when his brothers saw that their father loved him more than all his brothers, they hated him and could not speak peacefully to him. Now Joseph had a dream, and when he told it to his brothers they hated him even more. ... Scripture Art
This is the book of the generations of Adam. When God created man, he made him in the likeness of God. Male and female he created them, and he blessed them and named them Man when they were created. When Adam had lived 130 years, he fathered a son in his own likeness, after his image, and named him Seth. The days of Adam after he fathered Seth were 800 years; and he had other sons and daughters. Thus all the days that Adam lived were 930 years, and he died. ...
In the second year of the reign of Nebuchadnezzar, Nebuchadnezzar had dreams; his spirit was troubled, and his sleep left him. Then the king commanded that the magicians, the enchanters, the sorcerers, and the Chaldeans be summoned to tell the king his dreams. So they came in and stood before the king. And the king said to them, “I had a dream, and my spirit is troubled to know the dream.” Then the Chaldeans said to the king in Aramaic, “O king, live forever! Tell your servants the dream, and we will show the interpretation.” The king answered and said to the Chaldeans, “The word from me is firm: if you do not make known to me the dream and its interpretation, you shall be torn limb from limb, and your houses shall be laid in ruins. ...
The Transfiguration was a major theme in Eastern Christian art, and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon depicting it. Icons receive the external marks of veneration, such as kisses and prostration, and they are thought to be powerful channels of divine grace. The Renaissance brought forth a number of artists who focused on depictions of Jesus; Fra Angelico and others followed Giotto in the systematic development of uncluttered images.
Archeology helps scholars better understand Jesus' social world. Recent archeological work, for example, indicates that Capernaum, a city important in Jesus' ministry, was poor and small, without even a forum or an agora. This archaeological discovery resonates well with the scholarly view that Jesus advocated reciprocal sharing among the destitute in that area of Galilee. Share Your Faith Products
16 Therefore we do not lose heart. Though outwardly we are wasting away, yet inwardly we are being renewed day by day. 17 For our light and momentary troubles are achieving for us an eternal glory that far outweighs them all. 18 So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
In the West, the Renaissance saw an increase in monumental secular works, but until the Protestant Reformation Christian art continued to be commissioned in great quantities by churches, clergy and by the aristocracy. The Reformation had a huge effect on Christian art, rapidly bringing the production of public Christian art to a virtual halt in Protestant countries, and causing the destruction of most of the art that already existed.
In the gospel accounts, Jesus devotes a large portion of his ministry performing miracles, especially healings. The miracles can be classified into two main categories: healing miracles and nature miracles. The healing miracles include cures for physical ailments, exorcisms, and resurrections of the dead. The nature miracles show Jesus' power over nature, and include turning water into wine, walking on water, and calming a storm, among others. Jesus states that his miracles are from a divine source. When Jesus' opponents suddenly accuse him of performing exorcisms by the power of Beelzebul, the prince of demons, Jesus counters that he performs them by the "Spirit of God" (Matthew 12:28) or "finger of God", arguing that all logic suggests that Satan would not let his demons assist the Children of God because it would divide Satan's house and bring his kingdom to desolation; furthermore, he asks his opponents that if he exorcises by Beel'zebub, "by whom do your sons cast them out?"(Luke 11:20). In Matthew 12:31–32, he goes on to say that while all manner of sin, "even insults against God" or "insults against the son of man", shall be forgiven, whoever insults goodness (or "The Holy Spirit") shall never be forgiven; he/she carries the guilt of his/her sin forever. Christian Canvas Art
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Now he made the sea of cast metal ten cubits from brim to brim, circular in form, and its height was five cubits, and thirty cubits in circumference. Under its brim gourds went around encircling it ten to a cubit, completely surrounding the sea; the gourds were in two rows, cast with the rest. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east; and the sea was set on top of them, and all their rear parts turned inward. It was a handbreadth thick, and its brim was made like the brim of a cup, as a lily blossom; it could hold two thousand baths. Then he made the ten stands of bronze; the length of each stand was four cubits and its width four cubits and its height three cubits. This was the design of the stands: they had borders, even borders between the frames, and on the borders which were between the frames were lions, oxen and cherubim; and on the frames there was a pedestal above, and beneath the lions and oxen were wreaths of hanging work. Now each stand had four bronze wheels with bronze axles, and its four feet had supports; beneath the basin were cast supports with wreaths at each side. Its opening inside the crown at the top was a cubit, and its opening was round like the design of a pedestal, a cubit and a half; and also on its opening there were engravings, and their borders were square, not round. The four wheels were underneath the borders, and the axles of the wheels were on the stand. And the height of a wheel was a cubit and a half. The workmanship of the wheels was like the workmanship of a chariot wheel. Their axles, their rims, their spokes, and their hubs were all cast. Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around. He made the ten stands like this: all of them had one casting, one measure and one form. He made ten basins of bronze, one basin held forty baths; each basin was four cubits, and on each of the ten stands was one basin. Then he set the stands, five on the right side of the house and five on the left side of the house; and he set the sea of cast metal on the right side of the house eastward toward the south. Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; and the ten stands with the ten basins on the stands; and the one sea and the twelve oxen under the sea; and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. Solomon left all the utensils unweighed, because they were too many; the weight of the bronze could not be ascertained. Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold. Thus all the work that King Solomon performed in the house of the LORD was finished And Solomon brought in the things dedicated by his father David, the silver and the gold and the utensils, and he put them in the treasuries of the house of the LORD. Christian Canvas Art
Immortal religious paintings from the Renaissance include: The Flagellation of Christ (1460) by Piero della Francesca; The Last Supper (1495-98) and The Virgin of the Rocks (1484) by Leonardo da Vinci; Lamentation over the Dead Christ (c.1490) by Andrea Mantegna; The Sistine Madonna (1513) and The Transfiguration (1518-20) by Raphael; The Assumption of the Virgin (1516-8) by Titian; the Assumption of the Virgin (Parma Cathedral) (1524-30) on the ceiling of the dome in Parma Cathedral by Correggio; The Wedding Feast at Cana (1563) and Feast in the House of Levi (1573) by Paolo Veronese; and The Crucifixion (1565) by Tintoretto. The greatest Christian Renaissance sculpture included: The Gates of Paradise (1425-52, Florence Baptistery) by Lorenzo Ghiberti; The Incredulity of St Thomas (1467) by Andrea Verrocchio; numerous items of devotional terracotta sculpture by the Florentine Della Robbia family; Pieta (1500), David (1504) and the Tomb of Pope Julius II (1505-45) by Michelangelo. But surely the most iconic Christian art of the 16th century must be the Sistine Chapel frescoes, painted by Michelangelo. These include The Genesis Fresco (1508-12) - see in particular The Creation of Adam (God Passing the Spark of Life). Christian Gifts
The four canonical gospels (Matthew, Mark, Luke, and John) are the foremost sources for the life and message of Jesus. However, other parts of the New Testament also include references to key episodes in his life, such as the Last Supper in 1 Corinthians 11:23. Acts of the Apostles (Acts 10:37–38 and Acts 19) refers to the early ministry of Jesus and its anticipation by John the Baptist. Acts 1:1–11 says more about the Ascension of Jesus (also mentioned in 1 Timothy 3:16) than the canonical gospels do. In the undisputed Pauline letters, which were written earlier than the gospels, the words or instructions of Jesus are cited several times (1 Corinthians 7:10–11, 9:14, 11:23–25, 2 Corinthians 12:9).[l]
The gospels offer several clues concerning the year of Jesus' birth. Matthew 2:1 associates the birth of Jesus with the reign of Herod the Great, who died around 4 BC, and Luke 1:5 mentions that Herod was on the throne shortly before the birth of Jesus, although this gospel also associates the birth with the Census of Quirinius which took place ten years later. Luke 3:23 states that Jesus was "about thirty years old" at the start of his ministry, which according to Acts 10:37–38 was preceded by John the Baptist's ministry, itself recorded in Luke 3:1–2 to have begun in the 15th year of Tiberius' reign (28 or 29 AD). By collating the gospel accounts with historical data and using various other methods, most scholars arrive at a date of birth from 6 to 4 BC for Jesus, but some propose estimates that lie in a wider range.[q]
Protestantism taught a low-key, personal form of worship that focused on the direct relationship between God and man, without making a fuss about go-betweens like Popes, Bishops and other church employees. It also placed little or no importance on decorative or ceremonial aspects of religion. Because of all this, Protestant art favoured low-key moralistic depictions of ordinary day-to-day life, or simple narrative scenes from the Bible, rather than dramatic theological scenes involving the Passion, Crucifixion and Resurrection of Christ. Other acceptable scenes included depictions of sinners forgiven by Christ, in line with the Protestant view that salvation is only possible through the grace of God. Protestant art also tended to be smaller-scale than Catholic art, reflecting a more modest, personal approach to religion. For the same reason, book illustration and prints became more popular, while Catholic paintings and sculptures became the object of physical iconclastic attacks, as exemplified by the beeldenstorm, an episode of mob destruction which broke out in 1556. But Protestant church authorities were equally aware of the power of art to educate and influence worshippers. As a result they made maximum use of various forms of printmaking, which allowed images to be made widely available to the public at a very low cost.
Although born in Bethlehem, according to Matthew and Luke, Jesus was a Galilean from Nazareth, a village near Sepphoris, one of the two major cities of Galilee (Tiberias was the other). He was born to Joseph and Mary sometime between 6 bc and shortly before the death of Herod the Great (Matthew 2; Luke 1:5) in 4 bc. According to Matthew and Luke, however, Joseph was only legally his father. They report that Mary was a virgin when Jesus was conceived and that she “was found to be with child from the Holy Spirit” (Matthew 1:18; cf. Luke 1:35). Joseph is said to have been a carpenter (Matthew 13:55)—that is, a craftsman who worked with his hands—and, according to Mark 6:3, Jesus also became a carpenter. Share Your Faith Products
A third type of Christian art which appeared in Ireland during the Middle Ages was High Cross Sculpture (c.750-1150 CE). Consisting of different-sized monuments, all based on the standard design of the Celtic-Cross. Decorated either with abstract patterns or narrative scenes from the bible (rarely both), these monuments constitute the most important set of free-standing sculpture produced between the fall of Rome (c.450) and the start of the Italian Renaissance (c.1400). Scripture Art