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Some early Christian groups had separate descriptions of the life and teachings of Jesus that are not included in the New Testament. These include the Gospel of Thomas, Gospel of Peter, and Gospel of Judas, the Apocryphon of James, and many other apocryphal writings. Most scholars conclude that these are written much later and are less reliable accounts than the canonical gospels.
Around AD 30, Jesus and his followers traveled from Galilee to Jerusalem to observe Passover. Jesus caused a disturbance in the Second Temple, which was the center of Jewish religious and civil authority. Sanders associates it with Jesus' prophecy that the Temple would be totally demolished. Jesus had a last meal with his disciples, which is the origin of the Christian sacrament of bread and wine. Jesus' words are recorded in the Synoptics and in Paul's First Epistle to the Corinthians. The differences in the accounts cannot be completely reconciled, and it is impossible to know what Jesus intended, but in general the meal seems to point forward to the coming Kingdom. Jesus probably expected to be killed, and he may have hoped that God would intervene. Christian Gifts
1200–50; Middle English < Late Latin Iēsus < Greek Iēsoûs < Hebrew Yēshūaʿ, syncopated variant of Yəhōshūaʿ God is help; in Early Modern English, the distinction (lost in Middle English) between Jesus (nominative) and Jesu (oblique, especially vocative; see Jesu) was revived on the model of Latin and Gk sources; Jesus gradually supplanted the older form in both nominative and oblique Christian Gifts
New Testament scholars face a formidable challenge when they analyze the canonical Gospels. The Gospels are not biographies in the modern sense, and the authors explain Jesus' theological significance and recount his public ministry while omitting many details of his life. The reports of supernatural events associated with Jesus' death and resurrection make the challenge even more difficult. Scholars regard the gospels as compromised sources of information because the writers were trying to glorify Jesus. Even so, the sources for Jesus' life are better than sources scholars have for the life of Alexander the Great. Scholars use a number of criteria, such as the criterion of independent attestation, the criterion of coherence, and the criterion of discontinuity to judge the historicity of events. The historicity of an event also depends on the reliability of the source; indeed, the gospels are not independent nor consistent records of Jesus' life. Mark, which is most likely the earliest written gospel, has been considered for many decades the most historically accurate. John, the latest written gospel, differs considerably from the Synoptic Gospels, and thus is generally considered less reliable, although more and more scholars now also recognize that it may contain a core of older material as historically valuable as the Synoptic tradition or even more so.
Jesus, Thou art in the midst of us, and Thou knowest all men: if there is any here like that poor woman--if their minds are dark, their lives unholy--if they have come out not seeking Thee, not desiring to be taught; deal with them according to the free mercy which Thou didst show to her Speak to them, Lord, open their ears to my message, bring their sins to their minds, and make them thirst for that salvation which Thou art ready to give. Christian Gifts
Modern scholars agree that Jesus was a Jew of 1st-century Palestine. Ioudaios in New Testament Greek[r] is a term which in the contemporary context may refer to religion (Second Temple Judaism), ethnicity (of Judea), or both. In a review of the state of modern scholarship, Amy-Jill Levine writes that the entire question of ethnicity is "fraught with difficulty", and that "beyond recognizing that 'Jesus was Jewish', rarely does the scholarship address what being 'Jewish' means".
^ Tuckett writes: "All this does at least render highly implausible any far-fetched theories that even Jesus' very existence was a Christian invention. The fact that Jesus existed, that he was crucified under Pontius Pilate (for whatever reason) and that he had a band of followers who continued to support his cause, seems to be part of the bedrock of historical tradition. If nothing else, the non-Christian evidence can provide us with certainty on that score." Christian Gifts
Now when the wall had been built and I had set up the doors, and the gatekeepers, the singers, and the Levites had been appointed, I gave my brother Hanani and Hananiah the governor of the castle charge over Jerusalem, for he was a more faithful and God-fearing man than many. And I said to them, “Let not the gates of Jerusalem be opened until the sun is hot. And while they are still standing guard, let them shut and bar the doors. Appoint guards from among the inhabitants of Jerusalem, some at their guard posts and some in front of their own homes.” The city was wide and large, but the people within it were few, and no houses had been rebuilt. Then my God put it into my heart to assemble the nobles and the officials and the people to be enrolled by genealogy. And I found the book of the genealogy of those who came up at the first, and I found written in it: ...
The porch which was in front of the house was as long as the width of the house, twenty cubits, and the height 120; and inside he overlaid it with pure gold. He overlaid the main room with cypress wood and overlaid it with fine gold, and ornamented it with palm trees and chains. Further, he adorned the house with precious stones; and the gold was gold from Parvaim.read more. Christian Gifts
The Catholic Church launched the Counter-Reformation to fight for the hearts and minds of those Christians who had 'gone over' to Protestantism. To this end, the Society of Jesus (Societas Jesu) - founded by S. Ignatius Loyola and commonly known as the Jesuits - was formally established in 1540 by Pope Paul III, as an important teaching body and missionary order. Jesuit art was suitably inspirational. First, the architect Giacomo Barozzi (Vignola) was commissioned to design a church for the new order - The Church of the Holy Name of Jesus (Il Gesu) (1568-73) - for which the Baroque painter Giovanni Battista Gaulli painted the fabulous trompe l'oeil ceiling frescoes. Another Jesuit church, the San Ignazio, was the setting for what is arguably the greatest example of quadratura painting ever created - The Triumph and Apotheosis of St Ignatius of Loyola (1691-4) by Andrea Pozzo. There exists no greater exemplar of Counter-Reformation painting, and no better example of the differences between Protestant and Catholic art. Scripture Art
Given its theocratic nature, it is perhaps not surprising that Byzantine culture is more noted for its icons than its murals. First appearing during the early 4th century, these small-scale devotional diptych panel paintings (sometimes called "travelling icons") of Jesus Christ, the Virgin Mary, or Saints, proved hugely popular. Church screens (iconostases) were filled with them, as were private homes. After the victory of the pro-figurative Iconodules over the Iconoclasts in 842, the production of icons increased dramatically, and the techniques of icon painting spread to Greece and Russia, notably to Kiev, Novgorod and Moscow. Famous examples of Byzantine icon paintings include: The Virgin Hodegetria (mid 5th century, Hodegon Monastery, Constantinople: now lost); St Peter (c.550, Monastery of St Catherine, Mount Sinai); St Michael (c.950-1000, Tesoro di San Marco, Venice); the Holy Virgin of Vladimir (c.1131, Tretyakov Gallery, Moscow); Madonna of Don Icon (c.1380, Tretyakov Gallery, Moscow) by Theophanes the Greek, founder of the Novgorod school of icon-painting (c.1100-1500); and Mother of God Hodigitria (1502-3) by Dionysius, an early master of the Moscow School of painting (c.1500-1700). Scripture Art
In general, the authors of the New Testament showed little interest in an absolute chronology of Jesus or in synchronizing the episodes of his life with the secular history of the age. As stated in John 21:25, the gospels do not claim to provide an exhaustive list of the events in the life of Jesus. The accounts were primarily written as theological documents in the context of early Christianity, with timelines as a secondary consideration. In this respect, it is noteworthy that the Gospels devote about one third of their text to the last week of the life of Jesus in Jerusalem, referred to as the Passion. Although the gospels do not provide enough details to satisfy the demands of modern historians regarding exact dates, it is possible to draw from them a general picture of the life story of Jesus. Christian Gifts
By the middle of the 18th century, Catholic countries were becoming overstocked with cathedrals, churches, abbeys, monasteries and convents - in the case of certain cities like Naples, almost absurdly so. As a result, ecclesiastical commissions began to dry up. At the same time, with the advent of the 18th century Enlightenment, the Industrial Revolution and political upheavals like the French Revolution of 1789, the European Christian Church lost ground to nationalism, socialism and other value systems. What's more, it raised less money to spend on religious statues or other forms of church art. By the 19th century, the Church was less important as a patron of the arts than kings and noblemen, while the middle class demand for portraits, topographical landscapes and other secular works, was increasing rapidly. Painters could enjoy a prosperous career simply by focusing on portrait art, or various types of landscape painting, without ever painting a religious subject - something hitherto unknown in Catholic countries, though long regarded as normal in Protestant ones.
The name Yeshua appears to have been in use in Judea at the time of the birth of Jesus. The 1st-century works of historian Flavius Josephus, who wrote in Koine Greek, the same language as that of the New Testament, refer to at least twenty different people with the name Jesus (i.e. Ἰησοῦς). The etymology of Jesus' name in the context of the New Testament is generally given as "Yahweh is salvation".
Most modern scholars consider Jesus' baptism to be a definite historical fact, along with his crucifixion. Theologian James D. G. Dunn states that they "command almost universal assent" and "rank so high on the 'almost impossible to doubt or deny' scale of historical facts" that they are often the starting points for the study of the historical Jesus. Scholars adduce the criterion of embarrassment, saying that early Christians would not have invented a baptism that might imply that Jesus committed sins and wanted to repent. According to Theissen and Merz, Jesus was inspired by John the Baptist and took over from him many elements of his teaching.
Although born in Bethlehem, according to Matthew and Luke, Jesus was a Galilean from Nazareth, a village near Sepphoris, one of the two major cities of Galilee (Tiberias was the other). He was born to Joseph and Mary sometime between 6 bc and shortly before the death of Herod the Great (Matthew 2; Luke 1:5) in 4 bc. According to Matthew and Luke, however, Joseph was only legally his father. They report that Mary was a virgin when Jesus was conceived and that she “was found to be with child from the Holy Spirit” (Matthew 1:18; cf. Luke 1:35). Joseph is said to have been a carpenter (Matthew 13:55)—that is, a craftsman who worked with his hands—and, according to Mark 6:3, Jesus also became a carpenter. Share Your Faith Products
“You shall make an altar on which to burn incense; you shall make it of acacia wood. A cubit shall be its length, and a cubit its breadth. It shall be square, and two cubits shall be its height. Its horns shall be of one piece with it. You shall overlay it with pure gold, its top and around its sides and its horns. And you shall make a molding of gold around it. And you shall make two golden rings for it. Under its molding on two opposite sides of it you shall make them, and they shall be holders for poles with which to carry it. You shall make the poles of acacia wood and overlay them with gold. ...
Only in the New World were significant numbers of new churches erected. The type of architecture chosen was generally revivalist: see, for instance, the neoclassical-style Baltimore Basilica (1806-21), the first Roman Catholic Cathedral in the United States, designed by Benjamin Henry Latrobe; the decorated Gothic-style St Patrick's Cathedral, New York (1858-79), designed by James Renwick; Richard Upjohn's Trinity Church, New York (1841-6), another masterpiece of Gothic revivalism; and Trinity Church, Boston (1872-77), designed by Henry Hobson Richardson in a revivalist Romanesque style. Christian Canvas Art
"If you happen to come upon a bird's nest along the way, in any tree or on the ground, with young ones or eggs, and the mother sitting on the young or on the eggs, you shall not take the mother with the young; you shall certainly let the mother go, but the young you may take for yourself, in order that it may be well with you and that you may prolong your days.
From about 1520, as the Northern Renaissance felt the impact of Luther's revolt against the corrupt practices of the Roman Church, a new set of aesthetics took hold, in the form of Protestant Reformation Art, which reflected the Christian agenda of the Protestant movement, which rejected the humanist art and ideology of the High Renaissance, and celebrated a more austere religious experience, with minimal decoration. As a result, the amount of religious art commissioned by Protestant Church authorities was hugely reduced, and artists in Protestant countries were forced to switch to secular forms like genre painting, portrait art, landscape painting, and still lifes. Christian Canvas Art
The Christ myth theory is the hypothesis that Jesus of Nazareth never existed; or if he did, that he had virtually nothing to do with the founding of Christianity and the accounts in the gospels.[s] Stories of Jesus' birth, along with other key events, have so many mythic elements that some scholars have suggested that Jesus himself was a myth. Bruno Bauer (1809–1882) taught that the first Gospel was a work of literature that produced history rather than described it. According to Albert Kalthoff (1850–1906) a social movement produced Jesus when it encountered Jewish messianic expectations. Arthur Drews (1865–1935) saw Jesus as the concrete form of a myth that predated Christianity. Despite arguments put forward by authors who have questioned the existence of a historical Jesus, there remains a strong consensus in historical-critical biblical scholarship that a historical Jesus did live in that area and in that time period. Christian Canvas Art
The Gospel of John leaves out Jesus' baptism and temptation. Here, John the Baptist testifies that he saw the Spirit descend on Jesus (John 1:32). John publicly proclaims Jesus as the sacrificial Lamb of God, and some of John's followers become disciples of Jesus. In this Gospel, John denies that he is Elijah (John 1:21). Before John is imprisoned, Jesus leads his followers to baptize disciples as well (John 3:22–24), and they baptize more people than John (John 4:1). Christian Canvas Art
Only in the New World were significant numbers of new churches erected. The type of architecture chosen was generally revivalist: see, for instance, the neoclassical-style Baltimore Basilica (1806-21), the first Roman Catholic Cathedral in the United States, designed by Benjamin Henry Latrobe; the decorated Gothic-style St Patrick's Cathedral, New York (1858-79), designed by James Renwick; Richard Upjohn's Trinity Church, New York (1841-6), another masterpiece of Gothic revivalism; and Trinity Church, Boston (1872-77), designed by Henry Hobson Richardson in a revivalist Romanesque style.
As for you, if you will walk before Me as your father David walked, in integrity of heart and uprightness, doing according to all that I have commanded you and will keep My statutes and My ordinances, then I will establish the throne of your kingdom over Israel forever, just as I promised to your father David, saying, ‘You shall not lack a man on the throne of Israel.’ But if you or your sons indeed turn away from following Me, and do not keep My commandments and My statutes which I have set before you, and go and serve other gods and worship them, then I will cut off Israel from the land which I have given them, and the house which I have consecrated for My name, I will cast out of My sight.
So he made two doors of olive wood, and he carved on them carvings of cherubim, palm trees, and open flowers, and overlaid them with gold; and he spread the gold on the cherubim and on the palm trees. So also he made for the entrance of the nave four-sided doorposts of olive wood and two doors of cypress wood; the two leaves of the one door turned on pivots, and the two leaves of the other door turned on pivots. He carved on it cherubim, palm trees, and open flowers; and he overlaid them with gold evenly applied on the engraved work. Christian Canvas Art
Early Christian art survives from dates near the origins of Christianity. The oldest Christian sculptures are from sarcophagi, dating to the beginning of the 2nd century. The largest groups of Early Christian paintings come from the tombs in the Catacombs of Rome, and show the evolution of the depiction of Jesus, a process not complete until the 6th century, since when the conventional appearance of Jesus in art has remained remarkably consistent. Share Your Faith Products
and in the cutting of stones for settings and in the carving of wood, so as to perform in every inventive work. "He also has put in his heart to teach, both he and Oholiab, the son of Ahisamach, of the tribe of Dan. "He has filled them with skill to perform every work of an engraver and of a designer and of an embroiderer, in blue and in purple and in scarlet material, and in fine linen, and of a weaver, as performers of every work and makers of designs.
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466).
Medieval Christian art on the Continent followed similar paths, albeit a little later. Carolingian art (c.750-900), for instance, (the culture of the Frankish kingdom of Charlemagne I) was inspired by Byzantine rather than Irish models. Monastic scriptoria at Aachen, Paris, Reims, Metz and Tours produced beautiful examples of medieval painting like the Godescalc Evangelistary (c.783), the Utrecht Psalter (c.830) and the Grandval Bible (c.840). Carolingian cuture was followed by Ottonian art, under the Holy Roman Emperors Otto I, II and III (900-1050). Inspired by Carolingian techniques as well as Byzantine elements - like the use of gold leaf - Ottonian art was famous for its lavishly decorated manuscripts, including the Perikpenbuch of Henry II (c.1010), the Bamberg Apocalypse (c.1020), the Hitda-Codex (c.1025) and the Codex Aureus Epternacensis (c.1053). See also: German Medieval Art (c.800-1250). Christian Gifts