Ancient Jews usually had only one name, and, when greater specificity was needed, it was customary to add the father’s name or the place of origin. Thus, in his lifetime Jesus was called Jesus son of Joseph (Luke 4:22; John 1:45, 6:42), Jesus of Nazareth (Acts 10:38), or Jesus the Nazarene (Mark 1:24; Luke 24:19). After his death he came to be called Jesus Christ. Christ was not originally a name but a title derived from the Greek word christos, which translates the Hebrew term meshiah (Messiah), meaning “the anointed one.” This title indicates that Jesus’ followers believed him to be the anointed son of King David, whom some Jews expected to restore the fortunes of Israel. Passages such as Acts of the Apostles 2:36 show that some early Christian writers knew that the Christ was properly a title, but in many passages of the New Testament, including those in the letters of the Apostle Paul, the name and title are combined and used together as Jesus’ name: Jesus Christ or Christ Jesus (Romans 1:1; 3:24). Paul sometimes simply used Christ as Jesus’ name (e.g., Romans 5:6). Christian Gifts
The Christ myth theory is the hypothesis that Jesus of Nazareth never existed; or if he did, that he had virtually nothing to do with the founding of Christianity and the accounts in the gospels.[s] Stories of Jesus' birth, along with other key events, have so many mythic elements that some scholars have suggested that Jesus himself was a myth. Bruno Bauer (1809–1882) taught that the first Gospel was a work of literature that produced history rather than described it. According to Albert Kalthoff (1850–1906) a social movement produced Jesus when it encountered Jewish messianic expectations. Arthur Drews (1865–1935) saw Jesus as the concrete form of a myth that predated Christianity. Despite arguments put forward by authors who have questioned the existence of a historical Jesus, there remains a strong consensus in historical-critical biblical scholarship that a historical Jesus did live in that area and in that time period. Christian Canvas Art
For I want you to know how great a struggle I have for you and for those at Laodicea and for all who have not seen me face to face, that their hearts may be encouraged, being knit together in love, to reach all the riches of full assurance of understanding and the knowledge of God's mystery, which is Christ, in whom are hidden all the treasures of wisdom and knowledge. I say this in order that no one may delude you with plausible arguments. For though I am absent in body, yet I am with you in spirit, rejoicing to see your good order and the firmness of your faith in Christ. ... Scripture Art
The porch which was in front of the house was as long as the width of the house, twenty cubits, and the height 120; and inside he overlaid it with pure gold. He overlaid the main room with cypress wood and overlaid it with fine gold, and ornamented it with palm trees and chains. Further, he adorned the house with precious stones; and the gold was gold from Parvaim.read more.
Bahá'í teachings consider Jesus to be a manifestation of God, a Bahá'í concept for prophets—intermediaries between God and humanity, serving as messengers and reflecting God's qualities and attributes. The Bahá'í concept emphasizes the simultaneous qualities of humanity and divinity; thus, it is similar to the Christian concept of incarnation. Bahá'í thought accepts Jesus as the Son of God. In Bahá'í thought, Jesus was a perfect incarnation of God's attributes, but Bahá'í teachings reject the idea that "ineffable essence" of the Divinity was contained within a single human body because of their beliefs regarding "omnipresence and transcendence of the essence of God".
and in the cutting of stones for settings and in the carving of wood, so as to perform in every inventive work. "He also has put in his heart to teach, both he and Oholiab, the son of Ahisamach, of the tribe of Dan. "He has filled them with skill to perform every work of an engraver and of a designer and of an embroiderer, in blue and in purple and in scarlet material, and in fine linen, and of a weaver, as performers of every work and makers of designs. Christian Canvas Art
28 Do you not know? Have you not heard? The LORD is the everlasting God, the Creator of the ends of the earth. He will not grow tired or weary, and his understanding no one can fathom. 29 He gives strength to the weary and increases the power of the weak. 30 Even youths grow tired and weary, and young men stumble and fall; 31 but those who hope in the LORD will renew their strength. They will soar on wings like eagles; they will run and not grow weary, they will walk and not be faint. Christian Gifts
The Jewish elders take Jesus to Pilate's Court and ask the Roman governor, Pontius Pilate, to judge and condemn Jesus for various allegations, accusing him of blasphemy, perverting the nation, forbidding the payment of tribute, inciting sedition against Rome, sorcery, claiming to be the King of the Jews, the Son of God, and a savior to the world. The use of the word "king" is central to the discussion between Jesus and Pilate. In John 18:36 Jesus states, "My kingdom is not from this world", but he does not unequivocally deny being the King of the Jews. In Luke 23:7–15 Pilate realizes that Jesus is a Galilean, and thus comes under the jurisdiction of Herod Antipas, the Tetrarch of Galilee and Perea. Pilate sends Jesus to Herod to be tried, but Jesus says almost nothing in response to Herod's questions. Herod and his soldiers mock Jesus, put an expensive robe on him to make him look like a king, and return him to Pilate, who then calls together the Jewish elders and announces that he has "not found this man guilty". Share Your Faith Products
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Christian Gifts
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Christian Canvas Art
Until the adoption of Christianity by Constantine Christian art derived its style and much of its iconography from popular Roman art, but from this point grand Christian buildings built under imperial patronage brought a need for Christian versions of Roman elite and official art, of which mosaics in churches in Rome are the most prominent surviving examples. Christian art was caught up in, but did not originate, the shift in style from the classical tradition inherited from Ancient Greek art to a less realist and otherworldly hieratic style, the start of gothic art. Christian Gifts
For I want you to know how great a struggle I have for you and for those at Laodicea and for all who have not seen me face to face, that their hearts may be encouraged, being knit together in love, to reach all the riches of full assurance of understanding and the knowledge of God's mystery, which is Christ, in whom are hidden all the treasures of wisdom and knowledge. I say this in order that no one may delude you with plausible arguments. For though I am absent in body, yet I am with you in spirit, rejoicing to see your good order and the firmness of your faith in Christ. ... Christian Gifts
“See, I have called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah, and I have filled him with the Spirit of God, with ability and intelligence, with knowledge and all craftsmanship, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, to work in every craft. And behold, I have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan. And I have given to all able men ability, that they may make all that I have commanded you: ... Christian Gifts
The Roman Catholic Church responded to the Protestant Reformation with the Counter-Reformation. Catholic Counter-Reformation Art was designed to communicate the distinctive tenets of the Catholic liturgy and faith so as to strengthen the popularity of Catholicism. It was launched at the same time as Mannerist painting was taking hold in Italy - a highly expressive style that used distortion for effect, as exemplified in Parmigianino's picture Madonna with the Long Neck (1535, Uffizi). Concerned that Catholic art was attaching too much importance to decorative qualities, and not enough to religious values - thus negating its educational effects on churchgoers - the Catholic authorities decreed that Biblical art should be be direct and compelling in its narrative presentation, which itself should be accurate rather than fanciful, and should above all encourage piety. Nudity, and other inappropriate imagery was banned. For an example of a pious Mannerist artsist who adapted his style in line with the Church's teaching, see: Federico Barocci (1526-1612). Scripture Art
I have just recently rented "Jesus" and I have watched it about 3 times and I'll probably eventually buy it. I absolutely loved this interpretation of Jesus and feel that this movie has brought me closer to him. I now have a more lovable, happy, and caring picture of Jesus in my mind, not that I didn't think of him that way before, it's just that this movie puts across a side of Jesus that we have not often seen in other movies. Watching this movie has just brought him to life for me and (even though I undoubtedly knew that he was real before) makes him seem even more real to me now. I love the fact, like so many others, that this movie portrayed Jesus to be HUMAN, happy, laughing, crying, and all the other emotions that we all, as humans, go through. Only he was not just any human. My absolute favorite part in the movie is when Jesus is crucified. Even though it might not have been long enough, it still captured the pain and agony that Jesus felt. It made my heart break watching this scene, and made me love him and appreciate him even more for the price he paid for us.
Architectural sculpture was another important feature. Column statues and reliefs of figures from the Old Testament, as well as depictions of Christ and other members of the Holy Family, were commonplace. Gothic sculpture developed in a series of small creative steps. First came an increased realism, visibly different from the rather wooden look of the Romanesque idiom; then we see more graceful figures with soft drapery; then figures with a solid, upright appearance, with more restrained gestures. Finally came figures with dainty postures and thick drapery hanging in long V-shaped folds. Among the greatest sculptors were Nicola Pisano (c.1206-1278) and Arnolfo di Cambio (c.1240–1310).
Flemish realism and precision is also evident in the work of German painters such as Stephan Lochner (The Last Judgement, 1440s), Lucas Cranach the Elder (Adam and Eve, 1528), Hans Baldung Grien (Altar of the Virgin Mary [The Freiburg Altarpiece], 1514), and Hans Holbein the Elder (Scenes from the Passion of Christ [The Kasheim Altarpiece], 1502). Other German masters include the expressionist Matthias Grunewald (Isenheim Altarpiece, 1510-15) and the versatile printmaker and painter Albrecht Durer (The Four Horsemen of the Apocalypse, 1498, woodcut), and Martin Schongauer (Madonna in the Rose Garden, 1473).
Jesus taught that an apocalyptic figure, the "Son of Man", would soon come on clouds of glory to gather the elect, or chosen ones (Mark 13:24–27, Matthew 24:29–31, Luke 21:25–28). He referred to himself as a "son of man" in the colloquial sense of "a person", but scholars do not know whether he also meant himself when he referred to the heavenly "Son of Man". Paul the Apostle and other early Christians interpreted the "Son of Man" as the risen Jesus.
^ Catholic Encyclopedia: Proselyte: "The English term "proselyte" occurs only in the New Testament where it signifies a convert to the Jewish religion (Matthew 23:15; Acts 2:11; 6:5; etc.), though the same Greek word is commonly used in the Septuagint to designate a foreigner living in Palestine. Thus the term seems to have passed from an original local and chiefly political sense, in which it was used as early as 300 BC, to a technical and religious meaning in the Judaism of the New Testament epoch."
Jesus is the central figure of Christianity. Although Christian views of Jesus vary, it is possible to summarize the key beliefs shared among major denominations, as stated in their catechetical or confessional texts. Christian views of Jesus are derived from various sources, including the canonical gospels and New Testament letters such as the Pauline epistles and the Johannine writings. These documents outline the key beliefs held by Christians about Jesus, including his divinity, humanity, and earthly life, and that he is the Christ and the Son of God. Despite their many shared beliefs, not all Christian denominations agree on all doctrines, and both major and minor differences on teachings and beliefs have persisted throughout Christianity for centuries.
The Gospels say that Jesus was betrayed to the authorities by a disciple, and many scholars consider this report to be highly reliable. He was executed on the orders of Pontius Pilate, the Roman prefect of Judaea. Pilate most likely saw Jesus' reference to the Kingdom of God as a threat to Roman authority and worked with the Temple elites to have Jesus executed. The Sadducean high-priestly leaders of the Temple more plausibly had Jesus executed for political reasons than for his teaching. They may have regarded him as a threat to stability, especially after he caused a disturbance at the Second Temple. Other factors, such as Jesus' triumphal entry into Jerusalem, may have contributed to this decision. Most scholars consider Jesus' crucifixion to be factual, because early Christians would not have invented the painful death of their leader. Christian Gifts
New Testament scholars face a formidable challenge when they analyze the canonical Gospels. The Gospels are not biographies in the modern sense, and the authors explain Jesus' theological significance and recount his public ministry while omitting many details of his life. The reports of supernatural events associated with Jesus' death and resurrection make the challenge even more difficult. Scholars regard the gospels as compromised sources of information because the writers were trying to glorify Jesus. Even so, the sources for Jesus' life are better than sources scholars have for the life of Alexander the Great. Scholars use a number of criteria, such as the criterion of independent attestation, the criterion of coherence, and the criterion of discontinuity to judge the historicity of events. The historicity of an event also depends on the reliability of the source; indeed, the gospels are not independent nor consistent records of Jesus' life. Mark, which is most likely the earliest written gospel, has been considered for many decades the most historically accurate. John, the latest written gospel, differs considerably from the Synoptic Gospels, and thus is generally considered less reliable, although more and more scholars now also recognize that it may contain a core of older material as historically valuable as the Synoptic tradition or even more so. Christian Gifts
The Italian Early Baroque painter Caravaggio was one of the heroes of the Catholic Counter-Reformation arts campaign. Not because of his piety, but because he painted Christ, the Virgin Mary, the Apostles and Saints, with such unbelievable naturalism. Caravaggio's brand of unsophisticated realism was the perfect style for the Church's message. It gave key Biblical events an immediacy which no other painter had achieved. By abandoning the stylistic pretensions of late Mannerism - a style which was understood only by an educated minority, he provided the instant inspirational impact demanded by the Council of Trent. His greatest works include: The Calling of St Matthew (1600), The Martyrdom of St Matthew (1600), Conversion on the Way to Damascus (1601), Supper at Emmaus (1602), The Entombment of Christ (1601-3), The Crucifixion of St Peter (1601), and The Death of the Virgin (1601-6). His dramatic use of light and shadow was continued after his death by followers of so-called caravaggism.
And King Solomon sent and brought Hiram from Tyre. He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze. And he was full of wisdom, understanding, and skill for making any work in bronze. He came to King Solomon and did all his work. He cast two pillars of bronze. Eighteen cubits was the height of one pillar, and a line of twelve cubits measured its circumference. It was hollow, and its thickness was four fingers. The second pillar was the same. He also made two capitals of cast bronze to set on the tops of the pillars. The height of the one capital was five cubits, and the height of the other capital was five cubits. There were lattices of checker work with wreaths of chain work for the capitals on the tops of the pillars, a lattice for the one capital and a lattice for the other capital. ... Share Your Faith Products
The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Christian Gifts
Although born in Bethlehem, according to Matthew and Luke, Jesus was a Galilean from Nazareth, a village near Sepphoris, one of the two major cities of Galilee (Tiberias was the other). He was born to Joseph and Mary sometime between 6 bc and shortly before the death of Herod the Great (Matthew 2; Luke 1:5) in 4 bc. According to Matthew and Luke, however, Joseph was only legally his father. They report that Mary was a virgin when Jesus was conceived and that she “was found to be with child from the Holy Spirit” (Matthew 1:18; cf. Luke 1:35). Joseph is said to have been a carpenter (Matthew 13:55)—that is, a craftsman who worked with his hands—and, according to Mark 6:3, Jesus also became a carpenter.
Then to Adam He said, "Because you have listened to the voice of your wife, and have eaten from the tree about which I commanded you, saying, 'You shall not eat from it'; Cursed is the ground because of you; In toil you will eat of it All the days of your life. "Both thorns and thistles it shall grow for you; And you will eat the plants of the field; By the sweat of your face You will eat bread, Till you return to the ground, Because from it you were taken; For you are dust, And to dust you shall return."
Every home is so much more than just walls and windows. Home is the place where we live, laugh, and love. It's an expression of who we are and what we believe. That's why we are committed to providing beautiful Christian art and inspirational home décor. Our passion is helping you create a place that reflects your faith and enables you to share it with others. So discover new ways to share your heart and God's love today!
Immortal religious paintings from the Renaissance include: The Flagellation of Christ (1460) by Piero della Francesca; The Last Supper (1495-98) and The Virgin of the Rocks (1484) by Leonardo da Vinci; Lamentation over the Dead Christ (c.1490) by Andrea Mantegna; The Sistine Madonna (1513) and The Transfiguration (1518-20) by Raphael; The Assumption of the Virgin (1516-8) by Titian; the Assumption of the Virgin (Parma Cathedral) (1524-30) on the ceiling of the dome in Parma Cathedral by Correggio; The Wedding Feast at Cana (1563) and Feast in the House of Levi (1573) by Paolo Veronese; and The Crucifixion (1565) by Tintoretto. The greatest Christian Renaissance sculpture included: The Gates of Paradise (1425-52, Florence Baptistery) by Lorenzo Ghiberti; The Incredulity of St Thomas (1467) by Andrea Verrocchio; numerous items of devotional terracotta sculpture by the Florentine Della Robbia family; Pieta (1500), David (1504) and the Tomb of Pope Julius II (1505-45) by Michelangelo. But surely the most iconic Christian art of the 16th century must be the Sistine Chapel frescoes, painted by Michelangelo. These include The Genesis Fresco (1508-12) - see in particular The Creation of Adam (God Passing the Spark of Life). Christian Gifts
Sanders says that the genealogies of Jesus are based not on historical information but on the authors' desire to show that Jesus was the universal Jewish savior. In any event, once the doctrine of the virgin birth of Jesus became established, that tradition superseded the earlier tradition that he was descended from David through Joseph. Luke reports that Jesus was a blood relation of John the Baptist, but scholars generally consider this connection to be invented.
Immortal religious paintings from the Renaissance include: The Flagellation of Christ (1460) by Piero della Francesca; The Last Supper (1495-98) and The Virgin of the Rocks (1484) by Leonardo da Vinci; Lamentation over the Dead Christ (c.1490) by Andrea Mantegna; The Sistine Madonna (1513) and The Transfiguration (1518-20) by Raphael; The Assumption of the Virgin (1516-8) by Titian; the Assumption of the Virgin (Parma Cathedral) (1524-30) on the ceiling of the dome in Parma Cathedral by Correggio; The Wedding Feast at Cana (1563) and Feast in the House of Levi (1573) by Paolo Veronese; and The Crucifixion (1565) by Tintoretto. The greatest Christian Renaissance sculpture included: The Gates of Paradise (1425-52, Florence Baptistery) by Lorenzo Ghiberti; The Incredulity of St Thomas (1467) by Andrea Verrocchio; numerous items of devotional terracotta sculpture by the Florentine Della Robbia family; Pieta (1500), David (1504) and the Tomb of Pope Julius II (1505-45) by Michelangelo. But surely the most iconic Christian art of the 16th century must be the Sistine Chapel frescoes, painted by Michelangelo. These include The Genesis Fresco (1508-12) - see in particular The Creation of Adam (God Passing the Spark of Life). Scripture Art