Ancient Jews usually had only one name, and, when greater specificity was needed, it was customary to add the father’s name or the place of origin. Thus, in his lifetime Jesus was called Jesus son of Joseph (Luke 4:22; John 1:45, 6:42), Jesus of Nazareth (Acts 10:38), or Jesus the Nazarene (Mark 1:24; Luke 24:19). After his death he came to be called Jesus Christ. Christ was not originally a name but a title derived from the Greek word christos, which translates the Hebrew term meshiah (Messiah), meaning “the anointed one.” This title indicates that Jesus’ followers believed him to be the anointed son of King David, whom some Jews expected to restore the fortunes of Israel. Passages such as Acts of the Apostles 2:36 show that some early Christian writers knew that the Christ was properly a title, but in many passages of the New Testament, including those in the letters of the Apostle Paul, the name and title are combined and used together as Jesus’ name: Jesus Christ or Christ Jesus (Romans 1:1; 3:24). Paul sometimes simply used Christ as Jesus’ name (e.g., Romans 5:6). Christian Gifts
During the trials Jesus speaks very little, mounts no defense, and gives very infrequent and indirect answers to the priests' questions, prompting an officer to slap him. In Matthew 26:62 Jesus' unresponsiveness leads Caiaphas to ask him, "Have you no answer?" In Mark 14:61 the high priest then asks Jesus, "Are you the Messiah, the Son of the Blessed One?" Jesus replies, "I am", and then predicts the coming of the Son of Man. This provokes Caiaphas to tear his own robe in anger and to accuse Jesus of blasphemy. In Matthew and Luke, Jesus' answer is more ambiguous: in Matthew 26:64 he responds, "You have said so", and in Luke 22:70 he says, "You say that I am".
John's Gospel presents the teachings of Jesus not merely as his own preaching, but as divine revelation. John the Baptist, for example, states in John 3:34: "He whom God has sent speaks the words of God, for he gives the Spirit without measure." In John 7:16 Jesus says, "My teaching is not mine but his who sent me." He asserts the same thing in John 14:10: "Do you not believe that I am in the Father and the Father is in me? The words that I say to you I do not speak on my own; but the Father who dwells in me does his works."
^ Jump up to: a b In a 2011 review of the state of modern scholarship, Bart Ehrman wrote, "He certainly existed, as virtually every competent scholar of antiquity, Christian or non-Christian, agrees". Richard A. Burridge states: "There are those who argue that Jesus is a figment of the Church's imagination, that there never was a Jesus at all. I have to say that I do not know any respectable critical scholar who says that any more". Robert M. Price does not believe that Jesus existed, but agrees that this perspective runs against the views of the majority of scholars. James D. G. Dunn calls the theories of Jesus' non-existence "a thoroughly dead thesis". Michael Grant (a classicist) wrote in 1977, "In recent years, 'no serious scholar has ventured to postulate the non historicity of Jesus' or at any rate very few, and they have not succeeded in disposing of the much stronger, indeed very abundant, evidence to the contrary". Robert E. Van Voorst states that biblical scholars and classical historians regard theories of non-existence of Jesus as effectively refuted.
The Gospels portray Jesus teaching in well-defined sessions, such as the Sermon on the Mount in the Gospel of Matthew or the parallel Sermon on the Plain in Luke. According to Gerd Theissen and Annette Merz, these teaching sessions include authentic teachings of Jesus, but the scenes were invented by the respective evangelists to frame these teachings, which had originally been recorded without context. While Jesus' miracles fit within the social context of antiquity, he defined them differently. First, he attributed them to the faith of those healed. Second, he connected them to end times prophecy. Scripture Art
Until the adoption of Christianity by Constantine Christian art derived its style and much of its iconography from popular Roman art, but from this point grand Christian buildings built under imperial patronage brought a need for Christian versions of Roman elite and official art, of which mosaics in churches in Rome are the most prominent surviving examples. Christian art was caught up in, but did not originate, the shift in style from the classical tradition inherited from Ancient Greek art to a less realist and otherworldly hieratic style, the start of gothic art.
See what kind of love the Father has given to us, that we should be called children of God; and so we are. The reason why the world does not know us is that it did not know him. Beloved, we are God's children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is. And everyone who thus hopes in him purifies himself as he is pure. Share Your Faith Products
However, throughout the history of Christianity a number of relics attributed to Jesus have been claimed, although doubt has been cast on them. The 16th-century Catholic theologian Erasmus wrote sarcastically about the proliferation of relics and the number of buildings that could have been constructed from the wood claimed to be from the cross used in the Crucifixion. Similarly, while experts debate whether Jesus was crucified with three nails or with four, at least thirty holy nails continue to be venerated as relics across Europe.
Protestantism taught a low-key, personal form of worship that focused on the direct relationship between God and man, without making a fuss about go-betweens like Popes, Bishops and other church employees. It also placed little or no importance on decorative or ceremonial aspects of religion. Because of all this, Protestant art favoured low-key moralistic depictions of ordinary day-to-day life, or simple narrative scenes from the Bible, rather than dramatic theological scenes involving the Passion, Crucifixion and Resurrection of Christ. Other acceptable scenes included depictions of sinners forgiven by Christ, in line with the Protestant view that salvation is only possible through the grace of God. Protestant art also tended to be smaller-scale than Catholic art, reflecting a more modest, personal approach to religion. For the same reason, book illustration and prints became more popular, while Catholic paintings and sculptures became the object of physical iconclastic attacks, as exemplified by the beeldenstorm, an episode of mob destruction which broke out in 1556. But Protestant church authorities were equally aware of the power of art to educate and influence worshippers. As a result they made maximum use of various forms of printmaking, which allowed images to be made widely available to the public at a very low cost.
From about 1520, as the Northern Renaissance felt the impact of Luther's revolt against the corrupt practices of the Roman Church, a new set of aesthetics took hold, in the form of Protestant Reformation Art, which reflected the Christian agenda of the Protestant movement, which rejected the humanist art and ideology of the High Renaissance, and celebrated a more austere religious experience, with minimal decoration. As a result, the amount of religious art commissioned by Protestant Church authorities was hugely reduced, and artists in Protestant countries were forced to switch to secular forms like genre painting, portrait art, landscape painting, and still lifes. Christian Canvas Art
Judaism rejects the idea of Jesus being God, or a mediator to God, or part of a Trinity. It holds that Jesus is not the Messiah, arguing that he neither fulfilled the Messianic prophecies in the Tanakh nor embodied the personal qualifications of the Messiah. Jews argue that Jesus did not fulfill prophesies to build the Third Temple (Ezekiel 37:26–28), gather Jews back to Israel (Isaiah 43:5–6), bring world peace (Isaiah 2:4), and unite humanity under the God of Israel (Zechariah 14:9). Furthermore, according to Jewish tradition, there were no prophets after Malachi, who delivered his prophesies in the 5th century BC. Christian Gifts
The rapid rise of Arab power during the 7th century and the consequential economic difficulties suffered by the Byzantine Empire, led to a reappraisal of Arab culture and Islamic art. During the 8th century (726-787) and the 9th century (814-842), this culminated in two "Iconoclasms", when a ban was imposed on all figurative artworks. This went down very badly with Byzantine mosaicists. Many emigrated to Rome who were firmly opposed to Iconoclasm. Others, paradoxically, went to Arab cities where they produced some of the finest ever abstract mosaics. See, for instance, those in the Islamic Dome of the Rock (688-91, Jerusalem) and the Great Mosque (715, Damascus).
Most scholars hold that Jesus lived in Galilee and Judea and did not preach or study elsewhere. They agree that Jesus debated with Jewish authorities on the subject of God, performed some healings, taught in parables and gathered followers. Jesus' Jewish critics considered his ministry to be scandalous because he feasted with sinners, fraternized with women, and allowed his followers to pluck grain on the Sabbath. According to Sanders, it is not plausible that disagreements over how to interpret the Law of Moses and the Sabbath would have led Jewish authorities to want Jesus killed. Christian Gifts
Then I saw another beast rising out of the earth. It had two horns like a lamb and it spoke like a dragon. It exercises all the authority of the first beast in its presence, and makes the earth and its inhabitants worship the first beast, whose mortal wound was healed. It performs great signs, even making fire come down from heaven to earth in front of people, and by the signs that it is allowed to work in the presence of the beast it deceives those who dwell on earth, telling them to make an image for the beast that was wounded by the sword and yet lived. And it was allowed to give breath to the image of the beast, so that the image of the beast might even speak and might cause those who would not worship the image of the beast to be slain. ...
The Last Supper is the final meal that Jesus shares with his 12 apostles in Jerusalem before his crucifixion. The Last Supper is mentioned in all four canonical gospels; Paul's First Epistle to the Corinthians (11:23–26) also refers to it. During the meal, Jesus predicts that one of his apostles will betray him. Despite each Apostle's assertion that he would not betray him, Jesus reiterates that the betrayer would be one of those present. Matthew 26:23–25 and John 13:26–27 specifically identify Judas as the traitor.
Of David. Bless the Lord, O my soul, and all that is within me, bless his holy name! Bless the Lord, O my soul, and forget not all his benefits, who forgives all your iniquity, who heals all your diseases, who redeems your life from the pit, who crowns you with steadfast love and mercy, who satisfies you with good so that your youth is renewed like the eagle's. ... Share Your Faith Products
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