The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Christian Gifts
King Solomon was king over all Israel, and these were his high officials: Azariah the son of Zadok was the priest; Elihoreph and Ahijah the sons of Shisha were secretaries; Jehoshaphat the son of Ahilud was recorder; Benaiah the son of Jehoiada was in command of the army; Zadok and Abiathar were priests; Azariah the son of Nathan was over the officers; Zabud the son of Nathan was priest and king's friend; ... Scripture Art
The prologue to the Gospel of John identifies Jesus as an incarnation of the divine Word (Logos). As the Word, Jesus was eternally present with God, active in all creation, and the source of humanity's moral and spiritual nature. Jesus is not only greater than any past human prophet but greater than any prophet could be. He not only speaks God's Word; he is God's Word. In the Gospel of John, Jesus reveals his divine role publicly. Here he is the Bread of Life, the Light of the World, the True Vine and more.
The rapid rise of Arab power during the 7th century and the consequential economic difficulties suffered by the Byzantine Empire, led to a reappraisal of Arab culture and Islamic art. During the 8th century (726-787) and the 9th century (814-842), this culminated in two "Iconoclasms", when a ban was imposed on all figurative artworks. This went down very badly with Byzantine mosaicists. Many emigrated to Rome who were firmly opposed to Iconoclasm. Others, paradoxically, went to Arab cities where they produced some of the finest ever abstract mosaics. See, for instance, those in the Islamic Dome of the Rock (688-91, Jerusalem) and the Great Mosque (715, Damascus).
However, throughout the history of Christianity a number of relics attributed to Jesus have been claimed, although doubt has been cast on them. The 16th-century Catholic theologian Erasmus wrote sarcastically about the proliferation of relics and the number of buildings that could have been constructed from the wood claimed to be from the cross used in the Crucifixion. Similarly, while experts debate whether Jesus was crucified with three nails or with four, at least thirty holy nails continue to be venerated as relics across Europe. Share Your Faith Products
A third type of Christian art which appeared in Ireland during the Middle Ages was High Cross Sculpture (c.750-1150 CE). Consisting of different-sized monuments, all based on the standard design of the Celtic-Cross. Decorated either with abstract patterns or narrative scenes from the bible (rarely both), these monuments constitute the most important set of free-standing sculpture produced between the fall of Rome (c.450) and the start of the Italian Renaissance (c.1400).
The anger of the LORD burned against Israel, and He gave them into the hands of plunderers who plundered them; and He sold them into the hands of their enemies around them, so that they could no longer stand before their enemies. Wherever they went, the hand of the LORD was against them for evil, as the LORD had spoken and as the LORD had sworn to them, so that they were severely distressed. Then the LORD raised up judges who delivered them from the hands of those who plundered them. Share Your Faith Products
The title Christ, or Messiah, indicates that Jesus' followers believed him to be the anointed heir of King David, whom some Jews expected to save Israel. The Gospels refer to him not only as a Messiah but in the absolute form as "the Messiah" or, equivalently, "the Christ". In early Judaism, this absolute form of the title is not found, but only phrases such as "his Messiah". The tradition is ambiguous enough to leave room for debate as to whether Jesus defined his eschatological role as that of the Messiah. The Jewish messianic tradition included many different forms, some of them focused on a Messiah figure and others not. Based on the Christian tradition, Gerd Theissen advances the hypothesis that Jesus saw himself in messianic terms but did not claim the title "Messiah". Bart Ehrman argues that Jesus did consider himself to be the Messiah, albeit in the sense that he would be the king of the new political order that God would usher in, not in the sense that most people today think of the term.
^ Jump up to: a b In a 2011 review of the state of modern scholarship, Bart Ehrman wrote, "He certainly existed, as virtually every competent scholar of antiquity, Christian or non-Christian, agrees". Richard A. Burridge states: "There are those who argue that Jesus is a figment of the Church's imagination, that there never was a Jesus at all. I have to say that I do not know any respectable critical scholar who says that any more". Robert M. Price does not believe that Jesus existed, but agrees that this perspective runs against the views of the majority of scholars. James D. G. Dunn calls the theories of Jesus' non-existence "a thoroughly dead thesis". Michael Grant (a classicist) wrote in 1977, "In recent years, 'no serious scholar has ventured to postulate the non historicity of Jesus' or at any rate very few, and they have not succeeded in disposing of the much stronger, indeed very abundant, evidence to the contrary". Robert E. Van Voorst states that biblical scholars and classical historians regard theories of non-existence of Jesus as effectively refuted.
“Come, everyone who thirsts, come to the waters; and he who has no money, come, buy and eat! Come, buy wine and milk without money and without price. Why do you spend your money for that which is not bread, and your labor for that which does not satisfy? Listen diligently to me, and eat what is good, and delight yourselves in rich food. Incline your ear, and come to me; hear, that your soul may live; and I will make with you an everlasting covenant, my steadfast, sure love for David. Behold, I made him a witness to the peoples, a leader and commander for the peoples. Behold, you shall call a nation that you do not know, and a nation that did not know you shall run to you, because of the Lord your God, and of the Holy One of Israel, for he has glorified you. ... Scripture Art
Jesus appears as an infant in a manger (feed trough) in Christmas creches, which depict the Nativity scene. He is typically joined by Mary, Joseph, animals, shepherds, angels, and the Magi. Francis of Assisi (1181/82–1226) is credited with popularizing the creche, although he probably did not initiate it. The creche reached its height of popularity in the 17th and 18th centuries in southern Europe.
Most Christians believe that Jesus was both human and the Son of God. While there has been theological debate over his nature,[t] Trinitarian Christians generally believe that Jesus is the Logos, God's incarnation and God the Son, both fully divine and fully human. However, the doctrine of the Trinity is not universally accepted among Christians. With the Protestant Reformation, Christians such as Michael Servetus and the Socinians started questioning the ancient creeds that had established Jesus' two natures. Nontrinitarian Christian groups include The Church of Jesus Christ of Latter-day Saints, Unitarians and Jehovah's Witnesses.
In the West, the Renaissance saw an increase in monumental secular works, but until the Protestant Reformation Christian art continued to be commissioned in great quantities by churches, clergy and by the aristocracy. The Reformation had a huge effect on Christian art, rapidly bringing the production of public Christian art to a virtual halt in Protestant countries, and causing the destruction of most of the art that already existed.
The Roman Catholic Church responded to the Protestant Reformation with the Counter-Reformation. Catholic Counter-Reformation Art was designed to communicate the distinctive tenets of the Catholic liturgy and faith so as to strengthen the popularity of Catholicism. It was launched at the same time as Mannerist painting was taking hold in Italy - a highly expressive style that used distortion for effect, as exemplified in Parmigianino's picture Madonna with the Long Neck (1535, Uffizi). Concerned that Catholic art was attaching too much importance to decorative qualities, and not enough to religious values - thus negating its educational effects on churchgoers - the Catholic authorities decreed that Biblical art should be be direct and compelling in its narrative presentation, which itself should be accurate rather than fanciful, and should above all encourage piety. Nudity, and other inappropriate imagery was banned. For an example of a pious Mannerist artsist who adapted his style in line with the Church's teaching, see: Federico Barocci (1526-1612). Christian Canvas Art
19 Therefore, brothers and sisters, since we have confidence to enter the Most Holy Place by the blood of Jesus, 20 by a new and living way opened for us through the curtain, that is, his body, 21 and since we have a great priest over the house of God, 22 let us draw near to God with a sincere heart and with the full assurance that faith brings, having our hearts sprinkled to cleanse us from a guilty conscience and having our bodies washed with pure water. 23 Let us hold unswervingly to the hope we profess, for he who promised is faithful.
Late Gothic sculptors, based in Germany during the 15th and early 16th century, produced a burst of exquisite Christian wood-carving in a series of spectacular triptych altarpieces, never since equalled. Noted for the emotion of their expressionist figures, These master carvers included Michael Pacher (1435-98), Veit Stoss (c.1447-1533), Tilman Riemenschneider (c.1460-1531) and Gregor Erhart (c.1460-1540). See: German Gothic Art (c.1200-1450).
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Share Your Faith Products
The gospels offer several clues concerning the year of Jesus' birth. Matthew 2:1 associates the birth of Jesus with the reign of Herod the Great, who died around 4 BC, and Luke 1:5 mentions that Herod was on the throne shortly before the birth of Jesus, although this gospel also associates the birth with the Census of Quirinius which took place ten years later. Luke 3:23 states that Jesus was "about thirty years old" at the start of his ministry, which according to Acts 10:37–38 was preceded by John the Baptist's ministry, itself recorded in Luke 3:1–2 to have begun in the 15th year of Tiberius' reign (28 or 29 AD). By collating the gospel accounts with historical data and using various other methods, most scholars arrive at a date of birth from 6 to 4 BC for Jesus, but some propose estimates that lie in a wider range.[q] Scripture Art
Bahá'í teachings consider Jesus to be a manifestation of God, a Bahá'í concept for prophets—intermediaries between God and humanity, serving as messengers and reflecting God's qualities and attributes. The Bahá'í concept emphasizes the simultaneous qualities of humanity and divinity; thus, it is similar to the Christian concept of incarnation. Bahá'í thought accepts Jesus as the Son of God. In Bahá'í thought, Jesus was a perfect incarnation of God's attributes, but Bahá'í teachings reject the idea that "ineffable essence" of the Divinity was contained within a single human body because of their beliefs regarding "omnipresence and transcendence of the essence of God". Christian Canvas Art
According to Ehrman, Jesus taught that a coming kingdom was everyone's proper focus, not anything in this life. He taught about the Jewish Law, seeking its true meaning, sometimes in opposition to other traditions. Jesus put love at the center of the Law, and following that Law was an apocalyptic necessity. His ethical teachings called for forgiveness, not judging others, loving enemies, and caring for the poor. Funk and Hoover note that typical of Jesus were paradoxical or surprising turns of phrase, such as advising one, when struck on the cheek, to offer the other cheek to be struck as well (Luke 6:29).
Spain is the only European state to have emerged from a religious struggle between Christianity and Islam (Muslim rule over most of the Iberian peninsula lasted 718-1492). Not surprisingly therefore, the school of Spanish Painting produced a form of Christian art which was consistent with the country's uncompromising devotion to the Catholic cause. Its greatest exponent was Domenikos Theotokopoulos, called El Greco. After training in Byzantine icon painting he worked in Venice before making his home in Spain. Here he created a series of ecstatic portraits of Christ and the Saints, whose intensity of expression appealed directly to the spiritual feelings of the spectator. These powerful holy paintings, with their elongated figures, distorted perspective and non-natural colour schemes made El Greco the father of Counter-Reformation art in Spain. His most famous Catholic paintings include: The Trinity (1577-9); The Disrobing of Christ (1579); The Burial of Count Orgaz (1586); Christ driving the Traders from the Temple (1600); the Resurrection (1600), and The Opening of the Fifth Seal of the Apocalypse (1608). Although they had none of Caravaggio's naturalism, these pictures were spiritual masterpieces, and thus wholly in line with the doctrinal requirements of the Vatican.
Approaches to the historical reconstruction of the life of Jesus have varied from the "maximalist" approaches of the 19th century, in which the gospel accounts were accepted as reliable evidence wherever it is possible, to the "minimalist" approaches of the early 20th century, where hardly anything about Jesus was accepted as historical. In the 1950s, as the second quest for the historical Jesus gathered pace, the minimalist approaches faded away, and in the 21st century, minimalists such as Price are a very small minority. Although a belief in the inerrancy of the gospels cannot be supported historically, many scholars since the 1980s have held that, beyond the few facts considered to be historically certain, certain other elements of Jesus' life are "historically probable". Modern scholarly research on the historical Jesus thus focuses on identifying the most probable elements.
In Matthew, there are guards at the tomb. An angel descends from heaven, and opens the tomb. The guards faint from fear. Jesus appears to Mary Magdalene and "the other Mary" after they visited the tomb. Jesus then appears to the eleven remaining disciples in Galilee and commissions them to baptize all nations in the name of the Father, Son and Holy Spirit.
Protestant aesthetics achieved a highpoint during the Dutch Baroque era (c.1600-80). This period, known as the Golden Age of Dutch art, witnessed the ultimate development of the realist style adopted earlier by Flemish painters. Although portraits and landscapes were also popular, the period is best known as the high point of Dutch Realist genre painting, and what is known as still life painting (arranged tableaux). Leading genre painters of the Protestant Reformation came from a variety of schools. Adriaen van Ostade and the Catholic artist Jan Steen represented the Haarlem school; Jan Vermeer and Pieter de Hooch represented the Delft school; Hendrik Terbrugghen and Gerrit van Honthorst belonged to the Utrecht school; Gerrit Dou represented the Leiden school; Samuel van Hoogstraten and Nicolaes Maes were members of the Dordrecht school; and Carel Fabritius, Gerard Terborch, and Gabriel Metsu belonged to the Amsterdam school. Christian Canvas Art
To aid in his ministry to the Jewish people, Jesus was given the ability to perform miracles, by permission of God rather than by his own power. Through his ministry, Jesus is seen as a precursor to Muhammad. According to the Quran, Jesus was not crucified but was merely made to appear that way to unbelievers by Allah, who physically raised Jesus into the heavens. To Muslims, it is the ascension rather than the crucifixion that constitutes a major event in the life of Jesus. Most Muslims believe that Jesus will return to earth at the end of time and defeat the Antichrist (ad-Dajjal) by killing him in Lud.
Glory of ChristChrist AtoningThe Effect Of The Word Of GodChrist's Own GloryimagepersonalityThe Beauty Of NatureGod On HighRight Hand Of GodRadiancyGod Sustaining CreationPower Of Christ, ShownHand Of GodGod, Living And Self sustainingRight SidesSalvation, Nature OfKnowledge, Of Jesus ChristCreatorGod's Glory In Jesus ChristMediatorGod, Power OfGod, Glory Of
Of David. Bless the Lord, O my soul, and all that is within me, bless his holy name! Bless the Lord, O my soul, and forget not all his benefits, who forgives all your iniquity, who heals all your diseases, who redeems your life from the pit, who crowns you with steadfast love and mercy, who satisfies you with good so that your youth is renewed like the eagle's. ...
The Last Supper is the final meal that Jesus shares with his 12 apostles in Jerusalem before his crucifixion. The Last Supper is mentioned in all four canonical gospels; Paul's First Epistle to the Corinthians (11:23–26) also refers to it. During the meal, Jesus predicts that one of his apostles will betray him. Despite each Apostle's assertion that he would not betray him, Jesus reiterates that the betrayer would be one of those present. Matthew 26:23–25 and John 13:26–27 specifically identify Judas as the traitor. Share Your Faith Products
Ancient Jews usually had only one name, and, when greater specificity was needed, it was customary to add the father’s name or the place of origin. Thus, in his lifetime Jesus was called Jesus son of Joseph (Luke 4:22; John 1:45, 6:42), Jesus of Nazareth (Acts 10:38), or Jesus the Nazarene (Mark 1:24; Luke 24:19). After his death he came to be called Jesus Christ. Christ was not originally a name but a title derived from the Greek word christos, which translates the Hebrew term meshiah (Messiah), meaning “the anointed one.” This title indicates that Jesus’ followers believed him to be the anointed son of King David, whom some Jews expected to restore the fortunes of Israel. Passages such as Acts of the Apostles 2:36 show that some early Christian writers knew that the Christ was properly a title, but in many passages of the New Testament, including those in the letters of the Apostle Paul, the name and title are combined and used together as Jesus’ name: Jesus Christ or Christ Jesus (Romans 1:1; 3:24). Paul sometimes simply used Christ as Jesus’ name (e.g., Romans 5:6).
Protestantism taught a low-key, personal form of worship that focused on the direct relationship between God and man, without making a fuss about go-betweens like Popes, Bishops and other church employees. It also placed little or no importance on decorative or ceremonial aspects of religion. Because of all this, Protestant art favoured low-key moralistic depictions of ordinary day-to-day life, or simple narrative scenes from the Bible, rather than dramatic theological scenes involving the Passion, Crucifixion and Resurrection of Christ. Other acceptable scenes included depictions of sinners forgiven by Christ, in line with the Protestant view that salvation is only possible through the grace of God. Protestant art also tended to be smaller-scale than Catholic art, reflecting a more modest, personal approach to religion. For the same reason, book illustration and prints became more popular, while Catholic paintings and sculptures became the object of physical iconclastic attacks, as exemplified by the beeldenstorm, an episode of mob destruction which broke out in 1556. But Protestant church authorities were equally aware of the power of art to educate and influence worshippers. As a result they made maximum use of various forms of printmaking, which allowed images to be made widely available to the public at a very low cost.
In the Transfiguration (Matthew 17:1–9, Mark 9:2–8, and Luke 9:28–36), Jesus takes Peter and two other apostles up an unnamed mountain, where "he was transfigured before them, and his face shone like the sun, and his clothes became dazzling white." A bright cloud appears around them, and a voice from the cloud says, "This is my Son, the Beloved; with him I am well pleased; listen to him" (Matthew 17:1–9).
The Gospels say that Jesus was betrayed to the authorities by a disciple, and many scholars consider this report to be highly reliable. He was executed on the orders of Pontius Pilate, the Roman prefect of Judaea. Pilate most likely saw Jesus' reference to the Kingdom of God as a threat to Roman authority and worked with the Temple elites to have Jesus executed. The Sadducean high-priestly leaders of the Temple more plausibly had Jesus executed for political reasons than for his teaching. They may have regarded him as a threat to stability, especially after he caused a disturbance at the Second Temple. Other factors, such as Jesus' triumphal entry into Jerusalem, may have contributed to this decision. Most scholars consider Jesus' crucifixion to be factual, because early Christians would not have invented the painful death of their leader. Christian Gifts
^ Tuckett writes: "All this does at least render highly implausible any far-fetched theories that even Jesus' very existence was a Christian invention. The fact that Jesus existed, that he was crucified under Pontius Pilate (for whatever reason) and that he had a band of followers who continued to support his cause, seems to be part of the bedrock of historical tradition. If nothing else, the non-Christian evidence can provide us with certainty on that score." Christian Canvas Art
Although born in Bethlehem, according to Matthew and Luke, Jesus was a Galilean from Nazareth, a village near Sepphoris, one of the two major cities of Galilee (Tiberias was the other). He was born to Joseph and Mary sometime between 6 bc and shortly before the death of Herod the Great (Matthew 2; Luke 1:5) in 4 bc. According to Matthew and Luke, however, Joseph was only legally his father. They report that Mary was a virgin when Jesus was conceived and that she “was found to be with child from the Holy Spirit” (Matthew 1:18; cf. Luke 1:35). Joseph is said to have been a carpenter (Matthew 13:55)—that is, a craftsman who worked with his hands—and, according to Mark 6:3, Jesus also became a carpenter. Share Your Faith Products
Below is a collection of inspirational Bible verses can lead you into a deeper understanding of who God is and what His plan is for your life. He wants to "prosper you and not to harm you, to give hope and a future" (Jeremiah 29:11) You can also send these to a family member or friend in need and be assured that God can work miracles when we choose to believe His promises! Use these verses to be inspired and motivated to continue believing and having faith! Scripture Art
So he made two doors of olive wood, and he carved on them carvings of cherubim, palm trees, and open flowers, and overlaid them with gold; and he spread the gold on the cherubim and on the palm trees. So also he made for the entrance of the nave four-sided doorposts of olive wood and two doors of cypress wood; the two leaves of the one door turned on pivots, and the two leaves of the other door turned on pivots. He carved on it cherubim, palm trees, and open flowers; and he overlaid them with gold evenly applied on the engraved work. Christian Canvas Art
In the Synoptics, Jesus takes bread, breaks it, and gives it to the disciples, saying, "This is my body, which is given for you". He then has them all drink from a cup, saying, "This cup that is poured out for you is the new covenant in my blood" (Luke 22:19–20). The Christian sacrament or ordinance of the Eucharist is based on these events. Although the Gospel of John does not include a description of the bread-and-wine ritual during the Last Supper, most scholars agree that John 6:22–59 (the Bread of Life Discourse) has a eucharistic character and resonates with the institution narratives in the Synoptic Gospels and in the Pauline writings on the Last Supper.
“Come, everyone who thirsts, come to the waters; and he who has no money, come, buy and eat! Come, buy wine and milk without money and without price. Why do you spend your money for that which is not bread, and your labor for that which does not satisfy? Listen diligently to me, and eat what is good, and delight yourselves in rich food. Incline your ear, and come to me; hear, that your soul may live; and I will make with you an everlasting covenant, my steadfast, sure love for David. Behold, I made him a witness to the peoples, a leader and commander for the peoples. Behold, you shall call a nation that you do not know, and a nation that did not know you shall run to you, because of the Lord your God, and of the Holy One of Israel, for he has glorified you. ...
The Roman Catholic Church responded to the Protestant Reformation with the Counter-Reformation. Catholic Counter-Reformation Art was designed to communicate the distinctive tenets of the Catholic liturgy and faith so as to strengthen the popularity of Catholicism. It was launched at the same time as Mannerist painting was taking hold in Italy - a highly expressive style that used distortion for effect, as exemplified in Parmigianino's picture Madonna with the Long Neck (1535, Uffizi). Concerned that Catholic art was attaching too much importance to decorative qualities, and not enough to religious values - thus negating its educational effects on churchgoers - the Catholic authorities decreed that Biblical art should be be direct and compelling in its narrative presentation, which itself should be accurate rather than fanciful, and should above all encourage piety. Nudity, and other inappropriate imagery was banned. For an example of a pious Mannerist artsist who adapted his style in line with the Church's teaching, see: Federico Barocci (1526-1612). Share Your Faith Products
Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold.
The Synoptics depict two distinct geographical settings in Jesus' ministry. The first takes place north of Judea, in Galilee, where Jesus conducts a successful ministry; and the second shows Jesus rejected and killed when he travels to Jerusalem. Often referred to as "rabbi", Jesus preaches his message orally. Notably, Jesus forbids those who recognize him as the Messiah to speak of it, including people he heals and demons he exorcises (see Messianic Secret). Scripture Art