He also made two pillars for the front of the house, thirty-five cubits high, and the capital on the top of each was five cubits. He made chains in the inner sanctuary and placed them on the tops of the pillars; and he made one hundred pomegranates and placed them on the chains. He erected the pillars in front of the temple, one on the right and the other on the left, and named the one on the right Jachin and the one on the left Boaz. Share Your Faith Products
The Roman Catholic Church responded to the Protestant Reformation with the Counter-Reformation. Catholic Counter-Reformation Art was designed to communicate the distinctive tenets of the Catholic liturgy and faith so as to strengthen the popularity of Catholicism. It was launched at the same time as Mannerist painting was taking hold in Italy - a highly expressive style that used distortion for effect, as exemplified in Parmigianino's picture Madonna with the Long Neck (1535, Uffizi). Concerned that Catholic art was attaching too much importance to decorative qualities, and not enough to religious values - thus negating its educational effects on churchgoers - the Catholic authorities decreed that Biblical art should be be direct and compelling in its narrative presentation, which itself should be accurate rather than fanciful, and should above all encourage piety. Nudity, and other inappropriate imagery was banned. For an example of a pious Mannerist artsist who adapted his style in line with the Church's teaching, see: Federico Barocci (1526-1612). Scripture Art
The Catholic Church launched the Counter-Reformation to fight for the hearts and minds of those Christians who had 'gone over' to Protestantism. To this end, the Society of Jesus (Societas Jesu) - founded by S. Ignatius Loyola and commonly known as the Jesuits - was formally established in 1540 by Pope Paul III, as an important teaching body and missionary order. Jesuit art was suitably inspirational. First, the architect Giacomo Barozzi (Vignola) was commissioned to design a church for the new order - The Church of the Holy Name of Jesus (Il Gesu) (1568-73) - for which the Baroque painter Giovanni Battista Gaulli painted the fabulous trompe l'oeil ceiling frescoes. Another Jesuit church, the San Ignazio, was the setting for what is arguably the greatest example of quadratura painting ever created - The Triumph and Apotheosis of St Ignatius of Loyola (1691-4) by Andrea Pozzo. There exists no greater exemplar of Counter-Reformation painting, and no better example of the differences between Protestant and Catholic art. Scripture Art
Some early Christian groups had separate descriptions of the life and teachings of Jesus that are not included in the New Testament. These include the Gospel of Thomas, Gospel of Peter, and Gospel of Judas, the Apocryphon of James, and many other apocryphal writings. Most scholars conclude that these are written much later and are less reliable accounts than the canonical gospels.
The total destruction that ensued with the siege of Jerusalem by the Romans in AD 70 made the survival of items from 1st-century Judea very rare and almost no direct records survive about the history of Judaism from the last part of the 1st century through the 2nd century.[v] Margaret M. Mitchell writes that although Eusebius reports (Ecclesiastical History III 5.3) that the early Christians left Jerusalem for Pella just before Jerusalem was subjected to the final lock down, we must accept that no first hand Christian items from the early Jerusalem Church have reached us. Joe Nickell writes, "as investigation after investigation has shown, not a single, reliably authenticated relic of Jesus exists."[w]
In Christian Gnosticism (now a largely extinct religious movement), Jesus was sent from the divine realm and provided the secret knowledge (gnosis) necessary for salvation. Most Gnostics believed that Jesus was a human who became possessed by the spirit of "the Christ" at his baptism. This spirit left Jesus' body during the crucifixion, but was rejoined to him when he was raised from the dead. Some Gnostics, however, were docetics, believed that Jesus did not have a physical body, but only appeared to possess one. Manichaeism, a Gnostic sect, accepted Jesus as a prophet, in addition to revering Gautama Buddha and Zoroaster.
The Christ myth theory is the hypothesis that Jesus of Nazareth never existed; or if he did, that he had virtually nothing to do with the founding of Christianity and the accounts in the gospels.[s] Stories of Jesus' birth, along with other key events, have so many mythic elements that some scholars have suggested that Jesus himself was a myth. Bruno Bauer (1809–1882) taught that the first Gospel was a work of literature that produced history rather than described it. According to Albert Kalthoff (1850–1906) a social movement produced Jesus when it encountered Jewish messianic expectations. Arthur Drews (1865–1935) saw Jesus as the concrete form of a myth that predated Christianity. Despite arguments put forward by authors who have questioned the existence of a historical Jesus, there remains a strong consensus in historical-critical biblical scholarship that a historical Jesus did live in that area and in that time period. Christian Gifts