The canonical gospels are four accounts, each written by a different author. The authors of the gospels are all anonymous, attributed by tradition to the four evangelists, each with close ties to Jesus: Mark by John Mark, an associate of Peter; Matthew by one of Jesus' disciples; Luke by a companion of Paul mentioned in a few epistles; and John by another of Jesus' disciples, the "beloved disciple". Christian Gifts
Masters, treat your slaves justly and fairly, knowing that you also have a Master in heaven. Continue steadfastly in prayer, being watchful in it with thanksgiving. At the same time, pray also for us, that God may open to us a door for the word, to declare the mystery of Christ, on account of which I am in prison— that I may make it clear, which is how I ought to speak. Walk in wisdom toward outsiders, making the best use of the time. ...
The canonical gospels are four accounts, each written by a different author. The authors of the gospels are all anonymous, attributed by tradition to the four evangelists, each with close ties to Jesus: Mark by John Mark, an associate of Peter; Matthew by one of Jesus' disciples; Luke by a companion of Paul mentioned in a few epistles; and John by another of Jesus' disciples, the "beloved disciple". Share Your Faith Products
He made an altar of bronze, twenty cubits long and twenty cubits wide and ten cubits high. Then he made the sea of cast metal. It was round, ten cubits from brim to brim, and five cubits high, and a line of thirty cubits measured its circumference. Under it were figures of gourds, for ten cubits, compassing the sea all around. The gourds were in two rows, cast with it when it was cast. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east. The sea was set on them, and all their rear parts were inward. Its thickness was a handbreadth. And its brim was made like the brim of a cup, like the flower of a lily. It held 3,000 baths. ...
Jesus appears as an infant in a manger (feed trough) in Christmas creches, which depict the Nativity scene. He is typically joined by Mary, Joseph, animals, shepherds, angels, and the Magi. Francis of Assisi (1181/82–1226) is credited with popularizing the creche, although he probably did not initiate it. The creche reached its height of popularity in the 17th and 18th centuries in southern Europe.
Categories: Spoken articlesJesus0s BC births30s deaths1st-century apocalypticists1st-century executions1st-century BCE Jews1st-century BC Romans1st-century Romans1st-century rabbisAngelic visionariesCreator godsDeified peopleExorcistsFounders of religionsGod in ChristianityJewish Messiah claimantsJudean peopleLife-death-rebirth godsMessianismPeople considered avatars by their followersPeople executed by crucifixionPeople executed by the Roman EmpirePeople from BethlehemPeople from NazarethProphets of IslamProphets of the New TestamentPublicly executed peopleRabbis of the Land of IsraelRoman-era JewsSavior godsSelf-declared messiahsTorture victims Christian Canvas Art
Géza Vermes says that the doctrine of the virgin birth of Jesus arose from theological development rather than from historical events. Despite the widely held view that the authors of the Synoptic Gospels drew upon each other (the so-called synoptic problem), other scholars take it as significant that the virgin birth is attested by two separate gospels, Matthew and Luke. Christian Canvas Art
With the fall of Rome and the disintegration of the Roman Empire, Western Europe entered the Dark Ages (400-800), a period of political uncertainty and cultural stagnation. The only possible unifying force was Christianity, but with Rome sacked and the Roman Church under pressure, its influence was limited. Only in Ireland, a country cut off from the European mainland, did Christianity flourish. In fact, Irish Monastic art and culture was critical in keeping alive the ideas of classical antiquity, as well as the message of the Bible. Early Medieval art in Ireland was dominated by the making of illuminated manuscripts, notably the Cathach of St. Columba (c.610), the Book of Durrow (c.650-80), the Lichfield Gospels (c.730), the Echternach Gospels (690-715), the Lindisfarne Gospels (698) and the stunning Book of Kells (800). Because of the country's ongoing tradition of Celtic art, most Irish manuscript illustrators used abstract Celtic designs, rather than figurative imagery preferred by Continental artists. Scripture Art
Near the beginning of his ministry, Jesus appoints twelve apostles. In Matthew and Mark, despite Jesus only briefly requesting that they join him, Jesus' first four apostles, who were fishermen, are described as immediately consenting, and abandoning their nets and boats to do so (Matthew 4:18–22, Mark 1:16–20). In John, Jesus' first two apostles were disciples of John the Baptist. The Baptist sees Jesus and calls him the Lamb of God; the two hear this and follow Jesus. In addition to the Twelve Apostles, the opening of the passage of the Sermon on the Plain identifies a much larger group of people as disciples (Luke 6:17). Also, in Luke 10:1–16 Jesus sends seventy or seventy-two of his followers in pairs to prepare towns for his prospective visit. They are instructed to accept hospitality, heal the sick and spread the word that the Kingdom of God is coming.
The spiritual intensity achieved by Spanish painters was also seen in the works of Spanish sculptors, such as Alonso Berruguete (c.1486-1561) the greatest of all Renaissance sculptors in Spain, whose masterpieces include: the altarpiece for the monastery of La Mejorada Valladolid (1526), and the choir stalls in Toledo Cathedral (1539-43); Juan de Juni (1507-1577), noted for his emotive expressiveness, as in his two groups of the Entombment of Christ (1544 and 1571). Juan Martinez Montanes (the "God of Wood"), famous for his wooden crucifixes and religious figures, like The Merciful Christ (1603) and the Santiponce Altarpiece (1613); and Alonso Cano (the "Spanish Michelangelo"), whose masterwork is The Immaculate Conception (1655).
Prior to the Enlightenment, the gospels were usually regarded as accurate historical accounts, but since then scholars have emerged who question the reliability of the gospels and draw a distinction between the Jesus described in the gospels and the Jesus of history. Since the 18th century, three separate scholarly quests for the historical Jesus have taken place, each with distinct characteristics and based on different research criteria, which were often developed during the quest that applied them. While there is widespread scholarly agreement on the existence of Jesus,[g] and a basic consensus on the general outline of his life,[o] the portraits of Jesus constructed by various scholars often differ from each other, and from the image portrayed in the gospel accounts. Christian Canvas Art
Most modern scholars consider Jesus' baptism to be a definite historical fact, along with his crucifixion. Theologian James D. G. Dunn states that they "command almost universal assent" and "rank so high on the 'almost impossible to doubt or deny' scale of historical facts" that they are often the starting points for the study of the historical Jesus. Scholars adduce the criterion of embarrassment, saying that early Christians would not have invented a baptism that might imply that Jesus committed sins and wanted to repent. According to Theissen and Merz, Jesus was inspired by John the Baptist and took over from him many elements of his teaching. Christian Gifts
Learn all about the life of Jesus from his birth in Bethlehem to his death and resurrection. Discover the truths about the Son of God who became the Savior of the world. Get biblical answers to common questions many people have about Christ our Savior. Whether you have been a Christian for years or you are seeking to know more about who Jesus is, who aim to give answers from well-known theologians, pastors and speakers. Use the categories below to learn more about each area of Jesus' life and ministry. Christian Canvas Art
Sanders says that Jesus' mission was not about repentance, although he acknowledges that this opinion is unpopular. He argues that repentance appears as a strong theme only in Luke, that repentance was John the Baptist's message, and that Jesus' ministry would not have been scandalous if the sinners he ate with had been repentant. According to Theissen and Merz, Jesus taught that God was generously giving people an opportunity to repent.
Sanders says that the genealogies of Jesus are based not on historical information but on the authors' desire to show that Jesus was the universal Jewish savior. In any event, once the doctrine of the virgin birth of Jesus became established, that tradition superseded the earlier tradition that he was descended from David through Joseph. Luke reports that Jesus was a blood relation of John the Baptist, but scholars generally consider this connection to be invented.
Géza Vermes says that the doctrine of the virgin birth of Jesus arose from theological development rather than from historical events. Despite the widely held view that the authors of the Synoptic Gospels drew upon each other (the so-called synoptic problem), other scholars take it as significant that the virgin birth is attested by two separate gospels, Matthew and Luke.
The Lord said to Moses, “See, I have called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah, and I have filled him with the Spirit of God, with ability and intelligence, with knowledge and all craftsmanship, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, to work in every craft. ...
Belonging to the Romanticism wing of German 19th-Century art, the Nazarenes were a group of idealistic Vienna-trained painters, whose spiritual pictures recalled German medieval art and early Renaissance painting. Leading members included Friedrich Overbeck, Franz Pforr, Wilhelm von Schadow and Julius Schnorr von Carolsfeld. They were dubbed Nazarenes because of their biblical dress, long hair and devout way of life.