Bahá'í teachings consider Jesus to be a manifestation of God, a Bahá'í concept for prophets—intermediaries between God and humanity, serving as messengers and reflecting God's qualities and attributes. The Bahá'í concept emphasizes the simultaneous qualities of humanity and divinity; thus, it is similar to the Christian concept of incarnation. Bahá'í thought accepts Jesus as the Son of God. In Bahá'í thought, Jesus was a perfect incarnation of God's attributes, but Bahá'í teachings reject the idea that "ineffable essence" of the Divinity was contained within a single human body because of their beliefs regarding "omnipresence and transcendence of the essence of God". Christian Canvas Art
Medieval Christian art on the Continent followed similar paths, albeit a little later. Carolingian art (c.750-900), for instance, (the culture of the Frankish kingdom of Charlemagne I) was inspired by Byzantine rather than Irish models. Monastic scriptoria at Aachen, Paris, Reims, Metz and Tours produced beautiful examples of medieval painting like the Godescalc Evangelistary (c.783), the Utrecht Psalter (c.830) and the Grandval Bible (c.840). Carolingian cuture was followed by Ottonian art, under the Holy Roman Emperors Otto I, II and III (900-1050). Inspired by Carolingian techniques as well as Byzantine elements - like the use of gold leaf - Ottonian art was famous for its lavishly decorated manuscripts, including the Perikpenbuch of Henry II (c.1010), the Bamberg Apocalypse (c.1020), the Hitda-Codex (c.1025) and the Codex Aureus Epternacensis (c.1053). See also: German Medieval Art (c.800-1250).
In the Synoptics, the last week in Jerusalem is the conclusion of the journey through Perea and Judea that Jesus began in Galilee. Jesus rides a young donkey into Jerusalem, reflecting the tale of the Messiah's Donkey, an oracle from the Book of Zechariah in which the Jews' humble king enters Jerusalem this way (Zechariah 9:9). People along the way lay cloaks and small branches of trees (known as palm fronds) in front of him and sing part of Psalms 118:25–26.
In addition, there are numerous expressionist works by the French Catholic painter Georges Rouault, notably his series of The Holy Face, the Crucifixion and Christ Mocked, which make him one of the most important Christian artists of the 20th century. A similar accolade could be bestowed on the Russian fantasy painter Marc Chagall, whose imaginative Jewish art and scenes from the Old Testament were followed later by his series on religious themes - The Bible Message - now on display at the Cimiez Museum, in Nice. Chagall also produced a number of stained-glass designs for the cathedrals of Metz (1968), and Reims (1974), as well as the Hadassah Synagogue near Jerusalem. In addition, he was noted for the tapestry art that he designed for the Knesset.
The Last Supper is the final meal that Jesus shares with his 12 apostles in Jerusalem before his crucifixion. The Last Supper is mentioned in all four canonical gospels; Paul's First Epistle to the Corinthians (11:23–26) also refers to it. During the meal, Jesus predicts that one of his apostles will betray him. Despite each Apostle's assertion that he would not betray him, Jesus reiterates that the betrayer would be one of those present. Matthew 26:23–25 and John 13:26–27 specifically identify Judas as the traitor. Share Your Faith Products
A devout Catholic, the Flemish artist Peter Paul Rubens became the most influential exponent of Counter-Reformation painting in Northern Europe. Famous for his large-scale religious and history paintings, full of sensuous colour and drama, he socialized in the leading circles of European society as both an artist and diplomat. Despite the distance separating Rubens from the ordinary churchgoer, some of his Catholic pictures, like the celebrated triptych Descent from the Cross (Rubens) (1612), are intensely moving, and his impact on later painters was enormous. See also: Samson and Delilah (1610). Christian Gifts
“Come, everyone who thirsts, come to the waters; and he who has no money, come, buy and eat! Come, buy wine and milk without money and without price. Why do you spend your money for that which is not bread, and your labor for that which does not satisfy? Listen diligently to me, and eat what is good, and delight yourselves in rich food. Incline your ear, and come to me; hear, that your soul may live; and I will make with you an everlasting covenant, my steadfast, sure love for David. Behold, I made him a witness to the peoples, a leader and commander for the peoples. Behold, you shall call a nation that you do not know, and a nation that did not know you shall run to you, because of the Lord your God, and of the Holy One of Israel, for he has glorified you. ... Scripture Art
The soldiers then crucify Jesus and cast lots for his clothes. Above Jesus' head on the cross is Pilate's inscription, "Jesus of Nazareth, the King of the Jews." Soldiers and passersby mock him about it. Two convicted thieves are crucified along with Jesus. In Matthew and Mark, both thieves mock Jesus. In Luke, one of them rebukes Jesus, while the other defends him. Jesus tells the latter: "today you will be with me in Paradise" (Luke 23:43). In John, Mary, the mother of Jesus, and the beloved disciple were at the crucifixion. Jesus tells the beloved disciple to take care of his mother (John 19:26–27).
Spain is the only European state to have emerged from a religious struggle between Christianity and Islam (Muslim rule over most of the Iberian peninsula lasted 718-1492). Not surprisingly therefore, the school of Spanish Painting produced a form of Christian art which was consistent with the country's uncompromising devotion to the Catholic cause. Its greatest exponent was Domenikos Theotokopoulos, called El Greco. After training in Byzantine icon painting he worked in Venice before making his home in Spain. Here he created a series of ecstatic portraits of Christ and the Saints, whose intensity of expression appealed directly to the spiritual feelings of the spectator. These powerful holy paintings, with their elongated figures, distorted perspective and non-natural colour schemes made El Greco the father of Counter-Reformation art in Spain. His most famous Catholic paintings include: The Trinity (1577-9); The Disrobing of Christ (1579); The Burial of Count Orgaz (1586); Christ driving the Traders from the Temple (1600); the Resurrection (1600), and The Opening of the Fifth Seal of the Apocalypse (1608). Although they had none of Caravaggio's naturalism, these pictures were spiritual masterpieces, and thus wholly in line with the doctrinal requirements of the Vatican. Christian Gifts
The gospels offer several clues concerning the year of Jesus' birth. Matthew 2:1 associates the birth of Jesus with the reign of Herod the Great, who died around 4 BC, and Luke 1:5 mentions that Herod was on the throne shortly before the birth of Jesus, although this gospel also associates the birth with the Census of Quirinius which took place ten years later. Luke 3:23 states that Jesus was "about thirty years old" at the start of his ministry, which according to Acts 10:37–38 was preceded by John the Baptist's ministry, itself recorded in Luke 3:1–2 to have begun in the 15th year of Tiberius' reign (28 or 29 AD). By collating the gospel accounts with historical data and using various other methods, most scholars arrive at a date of birth from 6 to 4 BC for Jesus, but some propose estimates that lie in a wider range.[q]
Probably the most spectacular form of Christian painting was the church ceiling mural painting (called quadratura), often executed with trompe l'oeil illusionist effects. This decoration of vaulted/domed ceilings of churches began during the Renaissance in Italy. Renaissance examples included: the Sala delle Prospettive fresco (c.1517, Villa Farnesina) by Baldessare Peruzzi; and the Assumption of the Virgin (1524-30) by Correggio, which decorated the domed ceiling of Parma Cathedral. Share Your Faith Products
With the fall of Rome and the disintegration of the Roman Empire, Western Europe entered the Dark Ages (400-800), a period of political uncertainty and cultural stagnation. The only possible unifying force was Christianity, but with Rome sacked and the Roman Church under pressure, its influence was limited. Only in Ireland, a country cut off from the European mainland, did Christianity flourish. In fact, Irish Monastic art and culture was critical in keeping alive the ideas of classical antiquity, as well as the message of the Bible. Early Medieval art in Ireland was dominated by the making of illuminated manuscripts, notably the Cathach of St. Columba (c.610), the Book of Durrow (c.650-80), the Lichfield Gospels (c.730), the Echternach Gospels (690-715), the Lindisfarne Gospels (698) and the stunning Book of Kells (800). Because of the country's ongoing tradition of Celtic art, most Irish manuscript illustrators used abstract Celtic designs, rather than figurative imagery preferred by Continental artists. Scripture Art
Jesus appears as an infant in a manger (feed trough) in Christmas creches, which depict the Nativity scene. He is typically joined by Mary, Joseph, animals, shepherds, angels, and the Magi. Francis of Assisi (1181/82–1226) is credited with popularizing the creche, although he probably did not initiate it. The creche reached its height of popularity in the 17th and 18th centuries in southern Europe.
1200–50; Middle English < Late Latin Iēsus < Greek Iēsoûs < Hebrew Yēshūaʿ, syncopated variant of Yəhōshūaʿ God is help; in Early Modern English, the distinction (lost in Middle English) between Jesus (nominative) and Jesu (oblique, especially vocative; see Jesu) was revived on the model of Latin and Gk sources; Jesus gradually supplanted the older form in both nominative and oblique Christian Gifts
Christian art of the 14th century, the pre-Renaissance era, was dominated by Giotto - see the Scrovegni (Arena) Chapel Frescoes (c.1303-10) - and Duccio de Buoninsegna (1255-1318) - see the celebrated polyptych for Siena Cathedral, known as the Maesta Altarpiece (1308-11). After this came the Early Renaissance in Florence, exemplified by the city's duomo - for more, see: Florence Cathedral, Brunelleschi and the Renaissance (1420-36) - Masaccio (Brancacci Chapel frescoes) and Donatello (statue of David). If 15th century Christian art was dominated by Florence, the centre of 16th century Christian art was Rome, where the greatest patrons were Pope Sixtus IV (1471-84), Pope Julius II (1503-13), Pope Leo X (1513-21) and Pope Paul III (1534-49). Christian Canvas Art
In Luke, Mary and various other women meet two angels at the tomb, but the eleven disciples do not believe their story (Luke 25:1–12). Jesus appears to two of his followers in Emmaus. He also makes an appearance to Peter. Jesus then appears that same day to his disciples in Jerusalem (Luke 24:13–43). Although he appears and vanishes mysteriously, he also eats and lets them touch him to prove that he is not a spirit. He repeats his command to bring his teaching to all nations (Luke 24:51). Scripture Art