Now King Solomon sent and brought Hiram from Tyre. He was a widow's son from the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze; and he was filled with wisdom and understanding and skill for doing any work in bronze So he came to King Solomon and performed all his work. He fashioned the two pillars of bronze; eighteen cubits was the height of one pillar, and a line of twelve cubits measured the circumference of both. read more.
Also called: Jesus Christ, Jesus of Nazareth ?4 bc –?29 ad, founder of Christianity, born in Bethlehem and brought up in Nazareth as a Jew. He is believed by Christians to be the Son of God and to have been miraculously conceived by the Virgin Mary, wife of Joseph. With 12 disciples, he undertook two missionary journeys through Galilee, performing miracles, teaching, and proclaiming the coming of the Kingdom of God. His revolutionary Sermon on the Mount (Matthew 5–8), which preaches love, humility, and charity, the essence of his teaching, aroused the hostility of the Pharisees. After the Last Supper with his disciples, he was betrayed by Judas and crucified. He is believed by Christians to have risen from his tomb after three days, appeared to his disciples several times, and ascended to Heaven after 40 days Christian Canvas Art
^ Ehrman writes: ""In simpler terms, the historical Jesus did not exist. Or if he did, he had virtually nothing to do with the founding of Christianity." further quoting as authoritative the fuller definition provided by Earl Doherty in Jesus: Neither God Nor Man. Age of Reason, 2009, pp. vii–viii: it is "the theory that no historical Jesus worthy of the name existed, that Christianity began with a belief in a spiritual, mythical figure, that the Gospels are essentially allegory and fiction, and that no single identifiable person lay at the root of the Galilean preaching tradition."[380] Scripture Art

Of David. Bless the Lord, O my soul, and all that is within me, bless his holy name! Bless the Lord, O my soul, and forget not all his benefits, who forgives all your iniquity, who heals all your diseases, who redeems your life from the pit, who crowns you with steadfast love and mercy, who satisfies you with good so that your youth is renewed like the eagle's. ...


A typical Jew in Jesus' time had only one name, sometimes followed by the phrase "son of ", or the individual's hometown.[43] Thus, in the New Testament, Jesus is commonly referred to as "Jesus of Nazareth"[k] (e.g., Mark 10:47).[44] Jesus' neighbors in Nazareth refer to him as "the carpenter, the son of Mary and brother of James and Joses and Judas and Simon" (Mark 6:3),[45] "the carpenter's son" (Matthew 13:55),[46] or "Joseph's son" (Luke 4:22).[47] In John, the disciple Philip refers to him as "Jesus son of Joseph from Nazareth" (John 1:45).[48] Share Your Faith Products
In general, the authors of the New Testament showed little interest in an absolute chronology of Jesus or in synchronizing the episodes of his life with the secular history of the age.[109] As stated in John 21:25, the gospels do not claim to provide an exhaustive list of the events in the life of Jesus.[110] The accounts were primarily written as theological documents in the context of early Christianity, with timelines as a secondary consideration.[111] In this respect, it is noteworthy that the Gospels devote about one third of their text to the last week of the life of Jesus in Jerusalem, referred to as the Passion.[112] Although the gospels do not provide enough details to satisfy the demands of modern historians regarding exact dates, it is possible to draw from them a general picture of the life story of Jesus.[89][109][111]
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Share Your Faith Products

Glory of ChristOther BlindingChrist's Own GloryAgeControlling Your ThoughtsUnbelieversPerfection, DivineCommitment, to the worldChrist, Names ForSatan, Kingdom OfSatan, Titles ForThe Light Of ChristDarkness, As A Symbol Of SinCultsRevelation, In Ntevil, origins ofSpiritual Warfare, Causes OfHeart, Fallen And RedeemedBlindingSpiritual Blindness, Results Of Sin Scripture Art
and in the cutting of stones for settings, and in the carving of wood, that he may work in all kinds of craftsmanship. "And behold, I Myself have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan; and in the hearts of all who are skillful I have put skill, that they may make all that I have commanded you: the tent of meeting, and the ark of testimony, and the mercy seat upon it, and all the furniture of the tent, the table also and its utensils, and the pure gold lampstand with all its utensils, and the altar of incense, the altar of burnt offering also with all its utensils, and the laver and its stand, the woven garments as well, and the holy garments for Aaron the priest, and the garments of his sons, with which to carry on their priesthood; the anointing oil also, and the fragrant incense for the holy place, they are to make them according to all that I have commanded you." The LORD spoke to Moses, saying, "But as for you, speak to the sons of Israel, saying, 'You shall surely observe My sabbaths; for this is a sign between Me and you throughout your generations, that you may know that I am the LORD who sanctifies you. 'Therefore you are to observe the sabbath, for it is holy to you. Everyone who profanes it shall surely be put to death; for whoever does any work on it, that person shall be cut off from among his people. Christian Canvas Art
After Jesus's life, his followers, as described in the first chapters of the Acts of the Apostles, were all Jews either by birth or conversion, for which the biblical term "proselyte" is used,[256] and referred to by historians as Jewish Christians. The early Gospel message was spread orally, probably in Aramaic,[257] but almost immediately also in Greek.[258] The New Testament's Acts of the Apostles and Epistle to the Galatians record that the first Christian community was centered in Jerusalem and its leaders included Peter, James, the brother of Jesus, and John the Apostle.[259]
^ Bart D. Ehrman (1997). The New Testament: A Historical Introduction to the Early Christian Writings. Oxford University Press. p. 8. ISBN 978-0-19-508481-8. The New Testament contains twenty-seven books, written in Greek, by fifteen or sixteen different authors, who were addressing other Christian individuals or communities between the years 50 and 120 C.E. (see box 1.4). As we will see, it is difficult to know whether any of these books was written by Jesus' own disciples.
Christian art of the 14th century, the pre-Renaissance era, was dominated by Giotto - see the Scrovegni (Arena) Chapel Frescoes (c.1303-10) - and Duccio de Buoninsegna (1255-1318) - see the celebrated polyptych for Siena Cathedral, known as the Maesta Altarpiece (1308-11). After this came the Early Renaissance in Florence, exemplified by the city's duomo - for more, see: Florence Cathedral, Brunelleschi and the Renaissance (1420-36) - Masaccio (Brancacci Chapel frescoes) and Donatello (statue of David). If 15th century Christian art was dominated by Florence, the centre of 16th century Christian art was Rome, where the greatest patrons were Pope Sixtus IV (1471-84), Pope Julius II (1503-13), Pope Leo X (1513-21) and Pope Paul III (1534-49). Share Your Faith Products

17 so that Christ may dwell in your hearts through faith. And I pray that you, being rooted and established in love, 18 may have power, together with all the Lord’s holy people, to grasp how wide and long and high and deep is the love of Christ, 19 and to know this love that surpasses knowledge—that you may be filled to the measure of all the fullness of God. 20 Now to him who is able to do immeasurably more than all we ask or imagine, according to his power that is at work within us, 21 to him be glory in the church and in Christ Jesus throughout all generations, for ever and ever! Amen. Christian Gifts
Baroque murals include the celebrated Aurora fresco (1621-3, Villa Ludovisi, Rome) by Guercino and Agostino Tassi; the Assumption of the Virgin (1625-7) on the duomo of the church of S. Andrea della Valle, by Giovanni Lanfranco (1582-1647); the Palazzo Barberini frescoes by Pietro da Cortona, including Allegory of Divine Providence (1633-9); and the Apotheosis of St Ignatius (1688-94, Sant'Ignazio, Rome) by Andrea Pozzo.
The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Scripture Art
With the fall of Rome and the disintegration of the Roman Empire, Western Europe entered the Dark Ages (400-800), a period of political uncertainty and cultural stagnation. The only possible unifying force was Christianity, but with Rome sacked and the Roman Church under pressure, its influence was limited. Only in Ireland, a country cut off from the European mainland, did Christianity flourish. In fact, Irish Monastic art and culture was critical in keeping alive the ideas of classical antiquity, as well as the message of the Bible. Early Medieval art in Ireland was dominated by the making of illuminated manuscripts, notably the Cathach of St. Columba (c.610), the Book of Durrow (c.650-80), the Lichfield Gospels (c.730), the Echternach Gospels (690-715), the Lindisfarne Gospels (698) and the stunning Book of Kells (800). Because of the country's ongoing tradition of Celtic art, most Irish manuscript illustrators used abstract Celtic designs, rather than figurative imagery preferred by Continental artists. Scripture Art
The porch which was in front of the house was as long as the width of the house, twenty cubits, and the height 120; and inside he overlaid it with pure gold. He overlaid the main room with cypress wood and overlaid it with fine gold, and ornamented it with palm trees and chains. Further, he adorned the house with precious stones; and the gold was gold from Parvaim.read more.

With the fall of Rome and the disintegration of the Roman Empire, Western Europe entered the Dark Ages (400-800), a period of political uncertainty and cultural stagnation. The only possible unifying force was Christianity, but with Rome sacked and the Roman Church under pressure, its influence was limited. Only in Ireland, a country cut off from the European mainland, did Christianity flourish. In fact, Irish Monastic art and culture was critical in keeping alive the ideas of classical antiquity, as well as the message of the Bible. Early Medieval art in Ireland was dominated by the making of illuminated manuscripts, notably the Cathach of St. Columba (c.610), the Book of Durrow (c.650-80), the Lichfield Gospels (c.730), the Echternach Gospels (690-715), the Lindisfarne Gospels (698) and the stunning Book of Kells (800). Because of the country's ongoing tradition of Celtic art, most Irish manuscript illustrators used abstract Celtic designs, rather than figurative imagery preferred by Continental artists.

^ Tuckett writes: "All this does at least render highly implausible any far-fetched theories that even Jesus' very existence was a Christian invention. The fact that Jesus existed, that he was crucified under Pontius Pilate (for whatever reason) and that he had a band of followers who continued to support his cause, seems to be part of the bedrock of historical tradition. If nothing else, the non-Christian evidence can provide us with certainty on that score."[283] Christian Canvas Art
Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold.
Byzantine art, that is the art of the Eastern Orthodox Church - the form of Christianity that emerged in Constantinople (previously called Byzantium, now called Istanbul), headquarters of the Roman Empire in the east - was the first category of Christian art to really blossom. An expression of the theocratic state that it represented, Christian Byzantine art specialized in architecture, mosaic art, mural and icon painting. Byzantine artists also excelled at items of jewellery, goldsmithing and ivories, and produced the earliest illuminated manuscript, or codex. Christian Gifts

The Italian Early Baroque painter Caravaggio was one of the heroes of the Catholic Counter-Reformation arts campaign. Not because of his piety, but because he painted Christ, the Virgin Mary, the Apostles and Saints, with such unbelievable naturalism. Caravaggio's brand of unsophisticated realism was the perfect style for the Church's message. It gave key Biblical events an immediacy which no other painter had achieved. By abandoning the stylistic pretensions of late Mannerism - a style which was understood only by an educated minority, he provided the instant inspirational impact demanded by the Council of Trent. His greatest works include: The Calling of St Matthew (1600), The Martyrdom of St Matthew (1600), Conversion on the Way to Damascus (1601), Supper at Emmaus (1602), The Entombment of Christ (1601-3), The Crucifixion of St Peter (1601), and The Death of the Virgin (1601-6). His dramatic use of light and shadow was continued after his death by followers of so-called caravaggism.
The Transfiguration was a major theme in Eastern Christian art, and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon depicting it.[465] Icons receive the external marks of veneration, such as kisses and prostration, and they are thought to be powerful channels of divine grace.[457] The Renaissance brought forth a number of artists who focused on depictions of Jesus; Fra Angelico and others followed Giotto in the systematic development of uncluttered images.[358]
We are faced with a startling opportunity. We may think that we can’t walk this Christian path, but Peter tells us that we have all of the resources that we need in his “very great and precious promises”. When our circumstances cause insecurities and thoughts of despair to dance around our minds, God gives us a way out. We can escape this corruption by knowing God through Jesus Christ. How can we know God? By taking Him at His word! God has already provided for us and He is looking for people who will have the courage to replace their current thinking with God’s faithfulness. Are you looking for the thoughts of God? The Bible is God’s life support to us as we encounter a world of difficulty. Share Your Faith Products
Jews based their faith and religious practice on the Torah, five books said to have been given by God to Moses. The three prominent religious parties were the Pharisees, the Essenes, and the Sadducees. Together these parties represented only a small fraction of the population. Most Jews looked forward to a time that God would deliver them from their pagan rulers, possibly through war against the Romans.[43]
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Christian Canvas Art
Every home is so much more than just walls and windows. Home is the place where we live, laugh, and love. It's an expression of who we are and what we believe. That's why we are committed to providing beautiful Christian art and inspirational home décor. Our passion is helping you create a place that reflects your faith and enables you to share it with others. So discover new ways to share your heart and God's love today!

The Gospels portray Jesus teaching in well-defined sessions, such as the Sermon on the Mount in the Gospel of Matthew or the parallel Sermon on the Plain in Luke. According to Gerd Theissen and Annette Merz, these teaching sessions include authentic teachings of Jesus, but the scenes were invented by the respective evangelists to frame these teachings, which had originally been recorded without context.[94] While Jesus' miracles fit within the social context of antiquity, he defined them differently. First, he attributed them to the faith of those healed. Second, he connected them to end times prophecy.[335] Scripture Art
Birth Nativity Mary Joseph Flight into Egypt Childhood Unknown years Baptism Temptation Apostles selecting Great Commission Ministry Sermon on the Mount/Plain Beatitudes Prayers Lord's Prayer Parables Miracles Transfiguration Homelessness Last Supper Farewell Discourse Passion arrest trial Crucifixion sayings on the cross Tomb Resurrection appearances Ascension Christian Gifts
The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Scripture Art
19 Therefore, brothers and sisters, since we have confidence to enter the Most Holy Place by the blood of Jesus, 20 by a new and living way opened for us through the curtain, that is, his body, 21 and since we have a great priest over the house of God, 22 let us draw near to God with a sincere heart and with the full assurance that faith brings, having our hearts sprinkled to cleanse us from a guilty conscience and having our bodies washed with pure water. 23 Let us hold unswervingly to the hope we profess, for he who promised is faithful.

The prologue to the Gospel of John identifies Jesus as an incarnation of the divine Word (Logos).[107] As the Word, Jesus was eternally present with God, active in all creation, and the source of humanity's moral and spiritual nature.[107] Jesus is not only greater than any past human prophet but greater than any prophet could be. He not only speaks God's Word; he is God's Word.[108] In the Gospel of John, Jesus reveals his divine role publicly. Here he is the Bread of Life, the Light of the World, the True Vine and more.[104] Scripture Art
In Mark, John baptizes Jesus, and as he comes out of the water he sees the Holy Spirit descending to him like a dove and he hears a voice from heaven declaring him to be God's Son (Mark 1:9–11). This is one of two events described in the gospels where a voice from Heaven calls Jesus "Son", the other being the Transfiguration.[137][138] The spirit then drives him into the wilderness where he is tempted by Satan (Mark 1:12–13). Jesus then begins his ministry after John's arrest (Mark 1:14). Jesus' baptism in Matthew is similar. Here, before Jesus' baptism, John protests, saying, "I need to be baptized by you" (Matthew 3:14). Jesus instructs him to carry on with the baptism "to fulfill all righteousness" (Matthew 3:15). Matthew also details the three temptations that Satan offers Jesus in the wilderness (Matthew 4:3–11). In Luke, the Holy Spirit descends as a dove after everyone has been baptized and Jesus is praying (Luke 3:21–22). John implicitly recognizes Jesus from prison after sending his followers to ask about him (Luke 7:18–23). Jesus' baptism and temptation serve as preparation for his public ministry.[139]
Modern research on the historical Jesus has not led to a unified picture of the historical figure, partly because of the variety of academic traditions represented by the scholars.[351] Given the scarcity of historical sources, it is generally difficult for any scholar to construct a portrait of Jesus that can be considered historically valid beyond the basic elements of his life.[91][92] The portraits of Jesus constructed in these quests often differ from each other, and from the image portrayed in the gospels.[352][353]
In the Synoptics, the last week in Jerusalem is the conclusion of the journey through Perea and Judea that Jesus began in Galilee.[150] Jesus rides a young donkey into Jerusalem, reflecting the tale of the Messiah's Donkey, an oracle from the Book of Zechariah in which the Jews' humble king enters Jerusalem this way (Zechariah 9:9).[80] People along the way lay cloaks and small branches of trees (known as palm fronds) in front of him and sing part of Psalms 118:25–26.[208][209][210]
My son, do not forget my teaching, but let your heart keep my commandments, for length of days and years of life and peace they will add to you. Let not steadfast love and faithfulness forsake you; bind them around your neck; write them on the tablet of your heart. So you will find favor and good success in the sight of God and man. Trust in the Lord with all your heart, and do not lean on your own understanding. ... Share Your Faith Products
Glory of ChristOther BlindingChrist's Own GloryAgeControlling Your ThoughtsUnbelieversPerfection, DivineCommitment, to the worldChrist, Names ForSatan, Kingdom OfSatan, Titles ForThe Light Of ChristDarkness, As A Symbol Of SinCultsRevelation, In Ntevil, origins ofSpiritual Warfare, Causes OfHeart, Fallen And RedeemedBlindingSpiritual Blindness, Results Of Sin Scripture Art
After Jesus's life, his followers, as described in the first chapters of the Acts of the Apostles, were all Jews either by birth or conversion, for which the biblical term "proselyte" is used,[256] and referred to by historians as Jewish Christians. The early Gospel message was spread orally, probably in Aramaic,[257] but almost immediately also in Greek.[258] The New Testament's Acts of the Apostles and Epistle to the Galatians record that the first Christian community was centered in Jerusalem and its leaders included Peter, James, the brother of Jesus, and John the Apostle.[259]
Prior to the Enlightenment, the gospels were usually regarded as accurate historical accounts, but since then scholars have emerged who question the reliability of the gospels and draw a distinction between the Jesus described in the gospels and the Jesus of history.[264] Since the 18th century, three separate scholarly quests for the historical Jesus have taken place, each with distinct characteristics and based on different research criteria, which were often developed during the quest that applied them.[102][265] While there is widespread scholarly agreement on the existence of Jesus,[g] and a basic consensus on the general outline of his life,[o] the portraits of Jesus constructed by various scholars often differ from each other, and from the image portrayed in the gospel accounts.[267][268] Scripture Art
Jesus' crucifixion is described in all four canonical gospels. After the trials, Jesus is led to Calvary carrying his cross; the route traditionally thought to have been taken is known as the Via Dolorosa. The three Synoptic Gospels indicate that Simon of Cyrene assists him, having been compelled by the Romans to do so.[244][245] In Luke 23:27–28 Jesus tells the women in the multitude of people following him not to weep for him but for themselves and their children.[244] At Calvary, Jesus is offered a sponge soaked in a concoction usually offered as a painkiller. According to Matthew and Mark, he refuses it.[244][245]
and in the cutting of stones for settings, and in the carving of wood, that he may work in all kinds of craftsmanship. "And behold, I Myself have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan; and in the hearts of all who are skillful I have put skill, that they may make all that I have commanded you: the tent of meeting, and the ark of testimony, and the mercy seat upon it, and all the furniture of the tent, the table also and its utensils, and the pure gold lampstand with all its utensils, and the altar of incense, the altar of burnt offering also with all its utensils, and the laver and its stand,
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Now he made the sea of cast metal ten cubits from brim to brim, circular in form, and its height was five cubits, and thirty cubits in circumference. Under its brim gourds went around encircling it ten to a cubit, completely surrounding the sea; the gourds were in two rows, cast with the rest. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east; and the sea was set on top of them, and all their rear parts turned inward. It was a handbreadth thick, and its brim was made like the brim of a cup, as a lily blossom; it could hold two thousand baths. Then he made the ten stands of bronze; the length of each stand was four cubits and its width four cubits and its height three cubits. This was the design of the stands: they had borders, even borders between the frames, and on the borders which were between the frames were lions, oxen and cherubim; and on the frames there was a pedestal above, and beneath the lions and oxen were wreaths of hanging work. Now each stand had four bronze wheels with bronze axles, and its four feet had supports; beneath the basin were cast supports with wreaths at each side. Its opening inside the crown at the top was a cubit, and its opening was round like the design of a pedestal, a cubit and a half; and also on its opening there were engravings, and their borders were square, not round. The four wheels were underneath the borders, and the axles of the wheels were on the stand. And the height of a wheel was a cubit and a half. The workmanship of the wheels was like the workmanship of a chariot wheel. Their axles, their rims, their spokes, and their hubs were all cast. Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around. He made the ten stands like this: all of them had one casting, one measure and one form. He made ten basins of bronze, one basin held forty baths; each basin was four cubits, and on each of the ten stands was one basin. Then he set the stands, five on the right side of the house and five on the left side of the house; and he set the sea of cast metal on the right side of the house eastward toward the south. Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; and the ten stands with the ten basins on the stands; and the one sea and the twelve oxen under the sea; and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. Solomon left all the utensils unweighed, because they were too many; the weight of the bronze could not be ascertained. Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold. Thus all the work that King Solomon performed in the house of the LORD was finished And Solomon brought in the things dedicated by his father David, the silver and the gold and the utensils, and he put them in the treasuries of the house of the LORD.
^ Flavius Josephus writing (about 5 years later, c. AD 75) in The Jewish War (Book VII 1.1) stated that Jerusalem had been flattened to the point that "there was left nothing to make those that came thither believe it had ever been inhabited."[470] And once what was left of the ruins of Jerusalem had been turned into the Roman settlement of Aelia Capitolina, no Jews were allowed to set foot in it.[469] Share Your Faith Products

Now when the wall had been built and I had set up the doors, and the gatekeepers, the singers, and the Levites had been appointed, I gave my brother Hanani and Hananiah the governor of the castle charge over Jerusalem, for he was a more faithful and God-fearing man than many. And I said to them, “Let not the gates of Jerusalem be opened until the sun is hot. And while they are still standing guard, let them shut and bar the doors. Appoint guards from among the inhabitants of Jerusalem, some at their guard posts and some in front of their own homes.” The city was wide and large, but the people within it were few, and no houses had been rebuilt. Then my God put it into my heart to assemble the nobles and the officials and the people to be enrolled by genealogy. And I found the book of the genealogy of those who came up at the first, and I found written in it: ... Scripture Art
×