Apart from his own disciples and followers, the Jews of Jesus' day generally rejected him as the Messiah, as do the great majority of Jews today. Christian theologians, ecumenical councils, reformers and others have written extensively about Jesus over the centuries. Christian sects and schisms have often been defined or characterized by their descriptions of Jesus. Meanwhile, Manichaeans, Gnostics, Muslims, Baha'is, and others have found prominent places for Jesus in their religions. Jesus has also had detractors, both past and present.
New Testament scholars face a formidable challenge when they analyze the canonical Gospels. The Gospels are not biographies in the modern sense, and the authors explain Jesus' theological significance and recount his public ministry while omitting many details of his life. The reports of supernatural events associated with Jesus' death and resurrection make the challenge even more difficult. Scholars regard the gospels as compromised sources of information because the writers were trying to glorify Jesus. Even so, the sources for Jesus' life are better than sources scholars have for the life of Alexander the Great. Scholars use a number of criteria, such as the criterion of independent attestation, the criterion of coherence, and the criterion of discontinuity to judge the historicity of events. The historicity of an event also depends on the reliability of the source; indeed, the gospels are not independent nor consistent records of Jesus' life. Mark, which is most likely the earliest written gospel, has been considered for many decades the most historically accurate. John, the latest written gospel, differs considerably from the Synoptic Gospels, and thus is generally considered less reliable, although more and more scholars now also recognize that it may contain a core of older material as historically valuable as the Synoptic tradition or even more so. Christian Canvas Art
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Christian Canvas Art
Other famous Gothic buildings included the cathedrals at Laon (1160), Notre Dame de Paris (1160), Chartres (1194), Bourges (1195), Reims (1211), Amiens (1220), Salisbury (1220), Burgos (1220), Westminster Abbey, Lincoln (1230), (1245), Cologne (1248), Freiburg (1275), York Minster (1280), Rouen (1281), Siena (c.1290), Barcelona (1298), Orvieto (1330), Milan (1386), Seville (1402), and others. Christian Gifts
Luke (2:41–52) states that Jesus as a child was precociously learned, but there is no other evidence of his childhood or early life. As a young adult, he went to be baptized by the prophet John the Baptist and shortly thereafter became an itinerant preacher and healer (Mark 1:2–28). In his mid-30s Jesus had a short public career, lasting perhaps less than one year, during which he attracted considerable attention. Sometime between ad 29 and 33—possibly ad 30—he went to observe Passover in Jerusalem, where his entrance, according to the Gospels, was triumphant and infused with eschatological significance. While there he was arrested, tried, and executed. His disciples became convinced that he still lived and had appeared to them. They converted others to belief in him, which eventually led to a new religion, Christianity.
Not everything contained in the New Testament gospels is considered to be historically reliable. Views range from their being inerrant descriptions of the life of Jesus to their providing little historical information about his life beyond the basics. According to a broad scholarly consensus, the Synoptic Gospels (Matthew, Mark, and Luke), and not John, are the most reliable sources of information about Jesus.
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Even in Protestant Amsterdam, however, there remained a modest demand for religious paintings. One of the most important commissions received by the young Rembrandt, was five paintings for Prince Frederick Henry of Orange - the leading soldier in the Dutch wars against Catholic Spain - on the subject of Christ's Passion. In addition to his skill as a portraitist, Rembrandt went on to become the greatest religious painter of Dutch Protestantism, noted for works like: The Blinding of Samson (1636), The Sacrifice of Isaac (1636), Susanna and the Elders (1647), Bathsheba Holding King David's Letter (1654), Jacob Blessing the Children of Joseph (1656), and Return of the Prodigal Son (1666-69). Scripture Art
Given its theocratic nature, it is perhaps not surprising that Byzantine culture is more noted for its icons than its murals. First appearing during the early 4th century, these small-scale devotional diptych panel paintings (sometimes called "travelling icons") of Jesus Christ, the Virgin Mary, or Saints, proved hugely popular. Church screens (iconostases) were filled with them, as were private homes. After the victory of the pro-figurative Iconodules over the Iconoclasts in 842, the production of icons increased dramatically, and the techniques of icon painting spread to Greece and Russia, notably to Kiev, Novgorod and Moscow. Famous examples of Byzantine icon paintings include: The Virgin Hodegetria (mid 5th century, Hodegon Monastery, Constantinople: now lost); St Peter (c.550, Monastery of St Catherine, Mount Sinai); St Michael (c.950-1000, Tesoro di San Marco, Venice); the Holy Virgin of Vladimir (c.1131, Tretyakov Gallery, Moscow); Madonna of Don Icon (c.1380, Tretyakov Gallery, Moscow) by Theophanes the Greek, founder of the Novgorod school of icon-painting (c.1100-1500); and Mother of God Hodigitria (1502-3) by Dionysius, an early master of the Moscow School of painting (c.1500-1700). Scripture Art
In the West, the Renaissance saw an increase in monumental secular works, but until the Protestant Reformation Christian art continued to be commissioned in great quantities by churches, clergy and by the aristocracy. The Reformation had a huge effect on Christian art, rapidly bringing the production of public Christian art to a virtual halt in Protestant countries, and causing the destruction of most of the art that already existed.
For the last 5 years, the in-house design team at the Faithlife Corporation has illustrated one Bible verse every day. This art has found its way onto t-shirts, magnets, and postcards—and now, a beautiful picture book. In print for the first time, art from Faithlife's Verse of the Day series paired with uplifting devotionals will encourage and inspire you.
The prologue to the Gospel of John identifies Jesus as an incarnation of the divine Word (Logos). As the Word, Jesus was eternally present with God, active in all creation, and the source of humanity's moral and spiritual nature. Jesus is not only greater than any past human prophet but greater than any prophet could be. He not only speaks God's Word; he is God's Word. In the Gospel of John, Jesus reveals his divine role publicly. Here he is the Bread of Life, the Light of the World, the True Vine and more. Scripture Art
Jesus chose twelve disciples  (the "Twelve"), evidently as an apocalyptic message. All three Synoptics mention the Twelve, although the names on Luke's list vary from those in Mark and Matthew, suggesting that Christians were not certain who all the disciples were. The 12 disciples might have represented the twelve original tribes of Israel, which would be restored once God's rule was instituted. The disciples were reportedly meant to be the rulers of the tribes in the coming Kingdom (Matthew 19:28, Luke 22:30). According to Bart Ehrman, Jesus' promise that the Twelve would rule is historical, because the Twelve included Judas Iscariot. In Ehrman's view, no Christians would have invented a line from Jesus, promising rulership to the disciple who betrayed him. In Mark, the disciples play hardly any role other than a negative one. While others sometimes respond to Jesus with complete faith, his disciples are puzzled and doubtful. They serve as a foil to Jesus and to other characters. The failings of the disciples are probably exaggerated in Mark, and the disciples make a better showing in Matthew and Luke. Share Your Faith Products
Only in the New World were significant numbers of new churches erected. The type of architecture chosen was generally revivalist: see, for instance, the neoclassical-style Baltimore Basilica (1806-21), the first Roman Catholic Cathedral in the United States, designed by Benjamin Henry Latrobe; the decorated Gothic-style St Patrick's Cathedral, New York (1858-79), designed by James Renwick; Richard Upjohn's Trinity Church, New York (1841-6), another masterpiece of Gothic revivalism; and Trinity Church, Boston (1872-77), designed by Henry Hobson Richardson in a revivalist Romanesque style. Scripture Art
The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Scripture Art
Fewer churches meant less sculpture and less ecclesiastical decoration. But some new works did appear, such as Christ the Redeemer (1926-31), the huge soapstone statue overlooking Rio de Janeiro, in Brazil. Designed by Heitor da Silva Costa, and sculpted by Paul Landowski, it is the largest Art Deco statue in the world. Other noteworthy pieces of modern Christian sculpture include: Tarcisius, Christian Martyr (1868, Musee d'Orsay, marble) carved by Jean-Alexandre-Joseph Falguiere; Genesis (1929-31, Whitworth Art Gallery, Manchester) and Adam (1938, Harewood House), both by Jacob Epstein.
Artists were commissioned more secular genres like portraits, landscape paintings and because of the revival of Neoplatonism, subjects from classical mythology. In Catholic countries, production continued, and increased during the Counter-Reformation, but Catholic art was brought under much tighter control by the church hierarchy than had been the case before. From the 18th century the number of religious works produced by leading artists declined sharply, though important commissions were still placed, and some artists continued to produce large bodies of religious art on their own initiative.
^ Tuckett writes: "All this does at least render highly implausible any far-fetched theories that even Jesus' very existence was a Christian invention. The fact that Jesus existed, that he was crucified under Pontius Pilate (for whatever reason) and that he had a band of followers who continued to support his cause, seems to be part of the bedrock of historical tradition. If nothing else, the non-Christian evidence can provide us with certainty on that score."
No other Italian artist embodied Catholic Baroque art better than Gianlorenzo Bernini, whose output of religious art included the sculptural masterpiece The Ecstasy of St.Teresa (1645–52), inside the specially designed Cornaro Chapel of the church of Santa Maria della Vittoria. The Baroque idiom spawned a melodramatic style of architecture, exemplified by Bernini's design for Saint Peter's Square (1656-67) and the approaches to St Peter's Basilica in Rome. A favourite of Urban VIII, and a rival of Francois Duquesnoy (1594-1643) and Alessandro Algardi (1598-1654), Bernini's stature in Rome (though not his creativity) was matched by that of the French-born Nicolas Poussin (1594-1665), the founder of French Classicism, whose religious paintings included The Martyrdom of St Erasmus (1628), The Plague on Ashdod (1630), The Israelite Gathering Manna in the Desert (1639), The Boy Moses Tramples the Pharaoh's Crown (1645), and The Holy Family on the Steps (1648).
The Gospel of Mark reports that Jesus comes into conflict with his neighbors and family. Jesus' mother and brothers come to get him (Mark 3:31–35) because people are saying that he is crazy (Mark 3:21). Jesus responds that his followers are his true family. In John, Mary follows Jesus to his crucifixion, and he expresses concern over her well-being (John 19:25–27). Christian Canvas Art
Jesus calls people to repent their sins and to devote themselves completely to God. Jesus tells his followers to adhere to Jewish law, although he is perceived by some to have broken the law himself, for example regarding the Sabbath. When asked what the greatest commandment is, Jesus replies: "You shall love the Lord your God with all your heart, and with all your soul, and with all your mind ... And a second is like it: 'You shall love your neighbor as yourself" (Matthew 22:37–39). Other ethical teachings of Jesus include loving your enemies, refraining from hatred and lust, turning the other cheek, and forgiving people who have sinned against you (Matthew 5–7).
Jesus is the central figure of Christianity. Although Christian views of Jesus vary, it is possible to summarize the key beliefs shared among major denominations, as stated in their catechetical or confessional texts. Christian views of Jesus are derived from various sources, including the canonical gospels and New Testament letters such as the Pauline epistles and the Johannine writings. These documents outline the key beliefs held by Christians about Jesus, including his divinity, humanity, and earthly life, and that he is the Christ and the Son of God. Despite their many shared beliefs, not all Christian denominations agree on all doctrines, and both major and minor differences on teachings and beliefs have persisted throughout Christianity for centuries. Christian Gifts